Jacques Vallee writes on BoingBoing:
In our age of rational science the occult has never been more in demand: Angels and demons are popular, the Da Vinci code and lost symbols fascinate audiences worldwide and Hollywood is eager to turn out more movies with a paranormal theme.
So why is it that so many of these stories seem flat, and fail to reach the level of insight into hidden structures of the world true esoteric adventures are supposed to promise?
Perhaps the answer has to do with the failure of gifted directors to come to grips with the enormity of the unknown issues of human destiny, or to pose the fundamental questions their esoteric subject would demand.
We go away charmed by artistic visions, dazzled by the pageantry of cardinals in red capes and titillated by women in black garters but the Illuminati only scare us because of the blood they spill, not the existential issues they should transcend. They behave like any other gang of thugs, even if they utter their rough curses in Latin rather than street slang, cockney or modern Italian.
The circumstances that made this point clear to me arose when I watched again two movies within a few days, namely Kubrick’s Eyes Wide Shut and Roman Polanski’s The Ninth Gate.
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