Thanks to Alexia Tsotsis at TechCrunch [go there for full commentary] for showing us how megamedia corporations are conveniently using copyright law to promote their intellectual property:
In case you haven’t been reading Twitter at all in the past day or so, last night “Banksy” was both the sixth search term on Google Trends and the number six trending topic on Twitter (where it remains to this morning), all because of the elusive street artist’s unbelievably dark and meta storyboarding of the animated series’ infamous intro, which Fox just removed from YouTube for copyright violations.
Before Fox pulled it down, the YouTube video had currently amassed 42,305 views, and it’d be safe to say that almost none of us actually watched it on TV, to the point that there was even quickly dispelled speculation as to whether or not the segment had actually aired.
…My point is that without the Internet and Youtube, many people would not be aware Banksy did the Simpsons intro — it wasn’t mainstream news worthy until we said it was. In fact, Banksy himself wouldn’t have gained notoriety without the Internet and cyberculture as his [IRL] identity still remains a secret.
In short, in today’s pop culture there’s always a constantly evolving tech angle.
Update: Rupert Murdoch underling Peter Kafka points out in the comments that the clip is now available on Hulu and its viral effect would have been the same if people had waited to see it there 12 hours after the show aired.
“Nah. If this thing didn’t get onto YouTube last night, then the entire scenario still would have played out the same way. It just would have been 12 hours or so later, when the clip showed up – legally – on Hulu. That’s kind of the point of Hulu, really: That Fox, NBC, etc can get the viral benefits of a Banksy clip, or Lazy Sunday, without having to cede distribution (and possible monetization) to Google or somebody else. And it sort of works.”
I disagree for three reasons: a) A 12 hour lag time between buzz and actual viewing of content doesn’t bode well for our short millennial attention spans. b) Currently all I can find on Hulu is the 21:31 minute long clip with ads intact, not exactly the most “share friendly” format. c) Hulu isn’t international leaving a good percentage of the online viewing population out, including the South Koreans who animated the piece.
[more at TechCrunch]
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