The spookiest graphic design instruction book ever? Steve Heller of Design Observer recently hunted down the Third Reich’s 70-page, full-color style manual for the proper use of Nazi insignia, graphics, and typefaces. This is how fascism created its appealing visual identity:
Designers and design historians told me over the years that they had heard about the existence of a Nazi graphics standards manual. No one could say they actually saw it, but they knew of someone who had. So it grew into something of a Big Foot or Loch Ness Monster tale, until one day I actually saw it too – and it had been right under my nose the whole time.
I had envisioned a manual of the kind that Lester Beall did for International Paper or Paul Rand did for IBM, showing acceptable logo weights and sizes, corporate typefaces and colors. I was so familiar with these standards manuals, that it never even occurred to me they were postwar formats — and decidedly modern. Maybe the Nazis did theirs in a different way.
The policing of all things Swastika was the responsibility of Dr. Robert Ley, the head of the German Labor Front (Deutsche Arbeitsfront, DAF) and the Strength Through Joy (Kraft durch Freude, KdF). Known as much as anything for his heavy drinking, this former editor of the anti-Semitic newspaper, Westdeutsche Beobachter, was not a designer or art director, but garnered considerable power owing to his intense loyalty to Hitler. One of his most ambitious design initiatives was taking over the development of the Volkswagen (people’s car) from Porsche.
Perhaps a lesser, though significant, responsibility was developing a NSDAP handbook that detailed the organizing principles and mechanics of building the Nazi movement. It is this 550 page, red cloth-bound book titled Organizationsbuch der NSDAP, with the symbol of “Greater Germany” embossed in silver on the front, which turns out to be the elusive standards manual. The DAF was also responsible for typesetting guides and other graphic arts handbooks, but this is the graphic masterpiece of the Master Race.
Published in 1936, The Organizationsbuch der NSDAP (with subsequent annual editions), detailed all aspects of party bureaucracy, typeset tightly in German Blackletter. What interested me, however, were the over 70 full-page, full-color plates (on heavy paper) that provide examples of virtually every Nazi flag, insignia, patterns for official Nazi Party office signs, special armbands for the Reichsparteitag (Reichs Party Day), and Honor Badges. The book “over-explains the obvious” and leaves no Nazi Party organization question, regardless of how minute, unanswered.
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