His style was followed by everyone from Monty Python to MTV, but for sheer optical pleasure, Robert Breer’s short avant-garde animations can’t be beaten. The New York Times eulogizes:
Robert Breer, an animator whose use of novel techniques opened up a new language for film, died on Aug. 11 at his home in Tucson. He was 84. Mr. Breer, a painter by training, early on saw the potential for breaking with the narrative sequences and anthropomorphic forms that defined the medium [of animation].
Viewers were bombarded with wiggling lines, letters, abstract shapes and live-action images that jumped and flashed, zoomed and receded. “He was a seminal figure in the new American cinema and the American avant-garde beginning in the 1950s and continuing right up to the present,” said Andrew Lampert of the Anthology Film Archives in Manhattan.
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