Solipsistic Nation:Tim Sköld, Ogre, Karsh Kale and Hoodoo Engine

HecateMListen to the interview now! (download/direct link) from Solipsistic Nation featuring an interview with a crazy lineup:

In the last couple of weeks I learned that Karsh Kale, Tim Sköld, Ogre and HoodooEngine had released or were about to release new albums. I dig them all so I do what I do sent out the emails and made the phone calls. There were other musicians, labels and festivals I wanted to feature on the show as well but they didn’t happen due to availability and time constraints and before I knew it, this week’s show had been distilled into a gem of greatness.

I discovered Karsh Kale right about the same time I discovered the Asian Massive (or Asian Underground) scene. Over the years I watched the careers of Karsh Kale, Asian Dub Foundation and others grow over the years and it’s a wonder that I haven’t had someone like Karsh on the show earlier. Karsh has released six albums and recorded and performed with everyone from Zakir Hussain to Yoko Ono. Karsh’s latest album, Cinema, is his most ambitious album to date. It’s big, bold and melodramatic, and Karsh’s experience scoring films has had an impact on the scope of Cinema.

Tim Sköld was another surprise! Before I knew it, one night after work I found myself in front of a microphone talking to Tim about his long career, from his rock roots in bands like Kingpin and Shotgun Messiah and then later playing with the likes of KMFDM and Marilyn Manson. Tim also released a solo album back in 1996 and 15 years later he’s followed it up with Anomie, due out May 10th. Tim was great to talk with and I found that he’s as much an agent provocateur in person as he is in his music. I also had some great questions to ask him from folks like Jeremy and Royb0t from Twitter and Facebook.

Ogre’s is set to release a second album with ohGr called unDeveloped that also due to be released May 10th. Ogre and Skinny Puppy have scored the post apocalyptic soundtrack to our lives for nearly 30 years. While Skinny Puppy was my introduction into industrial music, there’s industrial music and then there’s Skinny Puppy. They’re in their own category and to call them industrial is kind of limiting. I was curious to see what directions Ogre would explore through ohGr and to be honest, I didn’t like unDeveloped at first. As Ogre mentions during our chat, people rarely give music full attention because they’re usually multitasking while they’re listening to music. I was doing the same thing with unDeveloped but one night while I was going out for a run I listened to unDeveloped and without being aware of it I found myself lost in the album and now I think it’s one of my favorite album of 2011.

Once I finally realized that Tim and Ogre were going to be guests on this week’s show I knew I had to include Hoodoo Engine. I’ve wanted to play tracks from their EgoWhore album since it was released in 2010 but it was just one of those scheduling things. Hoodoo Engine would be perfect for today’s show and to top it off, they’re gearing up to release their new album, Murder the World, and it’s more wretched and evil than EgoWhore, if such a thing is even possible. The core of Hoodoo Engine is Marz233, James Curcio and Johann Ess. Just to be above board, both James and I are on the Alterati Network, but I’ve known James long before Alterati when I interviewed him about his book, Join My Cult. While you anxiously wait for the release of Murder the World you can watch Clark, a gonzo mockumentary reality show art film surrounding the struggles of an independent artist in a capitalist world.

More: Solipsistic Nation

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  • http://www.ContraControl.com/ Zenc

    Oh how I loved Skuppy (and Ministry), til they started sounding like speed metal…

    • Jamie Lee

      Ministry just about always sounded like speed metal. Nothing wrong with that. :) 

      • http://www.ContraControl.com/ Zenc

        To me, the early stuff (through Twitch) sounded like synthy disco/electronica. Meh.
         
        Land of Rape and Honey is where they really hit their stride, in my opinion. I enjoyed The Mind is a Terrible Thing to Taste, but could see a new trajectory developing. That speed metal thing…

        Psalm 69 is sort of when I tuned out.

        Sadly, right around ’91 is when Fields of the Nephilim jumped the shark too.

        Swans kept cranking it out for another 7 or 8 years, god love ‘em.

        • Jamie Lee

          Psalm 69 is prob my favorite. To each their own I suppose. (Psalm 69 was certainly inspirational for HoodooEngine — though far from the only source of inspiration for it.) 

  • http://www.ContraControl.com/ Zenc

    Oh how I loved Skuppy (and Ministry), til they started sounding like speed metal…

  • http://www.facebook.com/agent139 Jamie Lee

    Ministry just about always sounded like speed metal. Nothing wrong with that. :) 

  • http://www.facebook.com/agent139 Jamie Lee

    Note to whoever accepted/posted this- you changed the “direct download” link to be just the url of the image. It should be http://www.jamescurcio.com/music/solipsist-nation.mp3

  • Jamie Lee

    Note to whoever accepted/posted this- you changed the “direct download” link to be just the url of the image. It should be http://www.jamescurcio.com/music/solipsist-nation.mp3

  • http://www.ContraControl.com/ Zenc

    To me, the early stuff (through Twitch) sounded like synthy disco/electronica. Meh.
     
    Land of Rape and Honey is where they really hit their stride, in my opinion. I enjoyed The Mind is a Terrible Thing to Taste, but could see a new trajectory developing. That speed metal thing…

    Psalm 69 is sort of when I tuned out.

    Sadly, right around ’91 is when Fields of the Nephilim jumped the shark too.

    Swans kept cranking it out for another 7 or 8 years, god love ‘em.

  • http://www.facebook.com/agent139 Jamie Lee

    Psalm 69 is prob my favorite. To each their own I suppose. (Psalm 69 was certainly inspirational for HoodooEngine — though far from the only source of inspiration for it.) 

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