The Guardian’s Max Blumenthal has taken a stab at unraveling the making of the inflammatory film Innocence of Muslims, exposing a strange alliance of soft-core pornographers, political players and criminals. Undoubtedly, there are probably more layers to this particular onion, but this seems as good a place to start as any:
The Associated Press’s initial report on the trailer – an amateurish, practically unwatchable production called The Innocence of Muslims – identified a mysterious character, “Sam Bacile”, as its producer. Bacile told the Associated Press that he was a Jewish Israeli real estate developer living in California. He said that he raised $5m for the production of the film from “100 Jewish donors”, an unusual claim echoing Protocols of the Elders of Zion-style fantasies. Unfortunately, the extensive history of Israeli and ultra-Zionist funding and promotion of Islamophobic propaganda in the United States provided Bacile’s remarkable statement with the ring of truth.
Who was Bacile? The Israeli government could not confirm his citizenship, and for a full day, no journalist was able to determine whether he existed or not. After being duped by Bacile, AP traced his address to the home of Nakoula Basseley Nakoula, a militant Coptic separatist and felon convicted of check fraud. On September 13, US law enforcement officials confirmed that “Sam Bacile” was an alias Nakoula used to advance his various scams, which apparently included the production of The Innocence of Muslims.
According to an actor in the film, the all-volunteer cast was deceived into believing they were acting in a benign biblical epic about “how things were 2,000 years ago”. The script was titled Desert Warrior, and its contents made no mention of Muhammad – his name was dubbed into the film during post-production. On the set, a gray-haired Egyptian man who identified himself only as “Sam” (Nakoula) chatted aimlessly in Arabic with a group of friends while posing as the director. A casting notice for Desert Warrior listed the film’s real director as “Alan Roberts”. This could likewise be a pseudonym, although there is a veteran Hollywood hand responsible for such masterpieces as The Happy Hooker Goes Hollywood and The Sexpert who goes by the same name.
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