It is likely some of the most widespread and oldest art in the United States. Pieces of rock art dot the Appalachian Mountains, and research by University of Tennessee, Knoxville, anthropology professor Jan Simek finds each engraving or drawing is strategically placed to reveal a cosmological puzzle.
Recently, the discoveries of prehistoric rock art have become more common. With these discoveries comes a single giant one—all these drawing and engravings map the prehistoric peoples’ cosmological world.
The research led by Simek, president emeritus of the UT system and a distinguished professor of science, is published in this month’s edition of the journal Antiquity. The paper is co-authored by Nick Herrmann of Mississippi State University, Alan Cressler of the U.S. Geological Survey and Sarah Sherwood of The University of the South.
The researchers proposed that rock art changed the natural landscape to reflect a three-dimensional universe central to the religion of the prehistoric Mississippian period.
“Our findings provide a window into what Native American societies were like beginning more than 6,000 years ago,” said Simek. “They tell us that the prehistoric peoples in the Cumberland Plateau, a section of the Appalachian Mountains, used the rather distinctive upland environment to map their conceptual universe onto the natural world in which they lived.”
Simek and his team analyzed 44 open- air art sites where the art is exposed to light and 50 cave art sites in the Cumberland Plateau using nondestructive, high-tech tools, such as a high-resolution laser scanner. Through analysis of the depictions, colors, and spatial organization, they found that the sites mimic the Southeastern native people’s cosmological principles.
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