Ales Kot writes comics, amongst other things. His first graphic novel, Wild Children with Riley Rossmo, was published by Image Comics last year. He quickly followed this with Change with Morgan Jeske, also at Image. The “>collected edition was just released by Image last week.
Now he’s writing the superhero series Suicide Squad for DC and his creator owned espionage comic Zero for Image.
I just interviewed him at Technoccult:
Wild Children deals with the education system, you’ve said that Zero is about war and Suicide Squad obviously deals with the prison system. It seems that institutions and the way they affect people is emerging as a major theme in your work. Is that deliberate?
That is an intelligent observation, thank you. The narrative thread you just traced between my works was subconscious more than conscious on a story-to-story level. I am consciously interested in how institutions we create affect our life; institutions that are official and the ones that are hidden deeper within the fabric of our lives, the ones we create within our society and within our heads, sometimes without giving them names or without even realizing their presence. I am interested in chaos, order and their interplay.
You’ve said you want your stories to have a social message. I get cynical at times about the potential for art to have a positive social effect. But you come from the Czech Republic, where you actually had a revolution named after a rock band and a president who was a playwright. How do you think your background affects your work?
To me, every story ever made has a social message or messages within it. To me, everything is political because politics at their core mean “relating to citizens,” and I see connections between everything in this universe, and as such, everything relates to me and the responsibility that comes with that is tremendous. I am now interested in using fiction as a vehicle for self-exploration.