While George Romero’s Night of the Living Dead was originally panned by critics in 1968, the film has gone on to wide acclaim — it jump-started modern zombie cinema, and also mixed-in dark social commentary about the American Civil Rights Movement in the 1960’s.
Romero’s 1978 follow-up, Dawn of the Dead, didn’t suffer a sophomore jinx in the series — everything from the script to the acting to the production values are cranked-up. More importantly, this is the film that defines the zombie of today as a metaphor for American consumer culture run amok.
In keeping with my latest spook-tacular posts, I’m happy to point you to George Romero’s other classic, Dawn of the Dead. If you’ve seen the film before, enjoy it again. If you’re a newbie, get ready to see where the Zombie Apocalypse really began.
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Joe Nolan was born under a bad sign on June 13th in Detroit, Michigan in the last Metal Year of the Dog. Polymath, provocateur, inter-media artist, his tell-tale signs have turned up in music, visual art, journalism, poetry, fiction, video and film. A double Gemini, his interests range from the pharmacology of phenomenology to fly fishing; from mysticism to mixed martial arts; from chaos science to chaos magick. Joe Nolan's Insomnia blog republishes to some of the most read counter-culture sites on the web and the Coincidence Control Network podcast which he hosts has been downloaded more than half-a-million times.He is recording his fourth CD in Nashville, Tennessee where he lives to the east of the Cumberland river on a little wooded lot dubbed Bohemian Walnut Grove.
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