How Hunter S. Thompson and Psilocybin Influenced the Art of Ralph Steadman

ralph-steadman-fear-and-loathing-in-las-vegas-by-hunter-s-thompsonOpen Culture revisits the influence of Hunter S. Thompson on the art of Ralph Steadman.

Via Open Cuture.

Though the two men only occasionally collaborated over their long friendship, the work of Kentucky-born “gonzo” journalist Hunter S. Thompson and that of British illustrator Ralph Steadman enjoy a cultural symbiosis: Thompson’s style of writing puts you in the mind of Steadman’s style of drawing, and vice versa even more so. At this point, I have a hard time imagining any suitable visual accompaniment to the simultaneously clear- and wild-eyed sensibility of Thompsonian prose — “I hate to advocate drugs, alcohol, violence, or insanity to anyone,” he famously said, “but they’ve always worked for me” — other than the bold strokes and violent blotches with which Steadman renders visions of highly controlled madness. The clip above, from Alex Gibney’s documentary Gonzo: The Life and Work of Dr. Hunter S. Thompson, explores the origins of their aesthetic and psychological partnership.

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    interesting…