The new movie Mirage Men‘s subtitle is: “How the US government created a myth that took over the world.” A promising topic for any disinfonaut, surely, but it really has some bona fides that make us recommend it to you.
Way back in the dark ages of the year 2,000 an insatiably curious and cool alternative journalist arrived in New York to cover an all-day marathon of counterculture called disinfo.con, featuring the likes of Robert Anton Wilson, Marilyn Manson, Grant Morrison and Kenneth Anger, among many, many others. His name was Mark Pilkington and he has gone on to write for numerous newspapers and magazines and has published several books including our own Far Out: 101 Strange Tales From Science’s Outer Edge. Mark’s been working on Mirage Men for years; nominally he’s the writer, but believe me he was an instrumental part of the team that made this film, and you should check it out.
Don’t just take our word for it, though:
“This is an incredible story about deception and tomfoolery in high places. The filmmakers have uncovered a tale that tells us that everything we thought we knew about UFOs is wrong. And the truth – the true truth – is much more interesting.”
– Jon Ronson – Author of The Psychopath Test, The Men Who Stare at Goats.
“Really original in the story it tells… Mirage Men presents an astonishing new perspective on the UFO mythology, and opens up the much wider question of how we know what we know about the world outside… a brilliant piece of work.”
– Adam Curtis – Director of The Power of Nightmares, The Century of the Self.
Here’s the official synopsis:
How the US government created a myth that took over the world.
ET visitors… crashed UFOs… back-engineered alien technology… the government cover-up of a secret that would change the world as we know it…
These are the core elements of the modern UFO mythology, a story that has captivated farmers, princes and generals for generations, and shows no sign of loosening its grip on the popular imagination.
But what if, instead of covering up the UFO story, elements in the US military had actively encouraged it as part of their Cold War counterintelligence arsenal – manufacturing the myth of the UFO as a powerful weapon of mass deception and the perfect cover for all manner of clandestine technologies and operations.
Now, for the first time, some of those whose actions have directly shaped the UFO mythology, and some of their victims, tell their stories, revealing a surreal disturbing and sometimes tragic sequence of events that is part Manchurian Candidate and part Close Encounters of the Third Kind.
Mirage Men draws viewers into a saucer-shaped hall of mirrors, a shadow-world where every lie contains elements of the truth, and the truth is far stranger than the UFO believers, or their detractors, would have you believe.
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