The Wendy Carlos Multiphonic Keyboard And The Museum Of Imaginary Instruments

The altogether delightful Museum of Imaginary Instruments features not-quite-yet-real musical devices that hover at the boundaries of physical law and the human senses. Take, for instance, electronica pioneer Wendy Carlos’s dream keyboard of the new era:

Wendy Carlos is best known as a pioneer of the synthesizer who reached mass audiences with soundtrack for Stanley Kubrick’s A Clockwork Orange (1971). While never-before-heard timbres were a stunning feature of these works, Carlos also pursued another avenue opened up by synthesizers: the development of new tunings. Based on a design by R. H. M. Bosanquet from 1875, her proposed generalized keyboard divided the octave into 53 equal steps, strategically arranged so as to make all regular divisions of the octave playable. Carlos wrote. Alas, like the shift to meantone Carlos expected to see as digital synthesizing equipment became more common, the keyboard was not to be.

multiphonic keyboard

2 Comments on "The Wendy Carlos Multiphonic Keyboard And The Museum Of Imaginary Instruments"

  1. JohnFrancisBittrich | Apr 10, 2014 at 5:05 pm |

    Thanks for sharing, good sir. I live for this kind of crap.

  2. AManCalledDa-da | Apr 11, 2014 at 1:56 am |

    Da-da wholeheartedly concurs.

Comments are closed.