In a recent post I mentioned the January opening of the new photography exhibition Taking Shots: The Photography of William S. Burroughs. I’ve just received a copy of the catalog and I’m planning a review of the volume in an upcoming post or on an episode of Coincidence Control Network.
In the meantime, here is a very insightful little overview of the show featuring the curators at The Photographers Gallery, London. While Burroughs’ paintings are well-known, his work as a photographer is just beginning to be examined and understood. This interview was shot during the installation of the exhibition and it reveals Burroughs’ work behind the camera to be both an extension of the cut-up techniques he developed with the artist and writer Brion Gysin, and the even earlier aesthetic lessons Bill learned as a boy studying the flower arrangements his mother created for their St. Louis home.
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Joe Nolan was born under a bad sign on June 13th in Detroit, Michigan in the last Metal Year of the Dog. Polymath, provocateur, inter-media artist, his tell-tale signs have turned up in music, visual art, journalism, poetry, fiction, video and film. A double Gemini, his interests range from the pharmacology of phenomenology to fly fishing; from mysticism to mixed martial arts; from chaos science to chaos magick. Joe Nolan's Insomnia blog republishes to some of the most read counter-culture sites on the web and the Coincidence Control Network podcast which he hosts has been downloaded more than half-a-million times.He is recording his fourth CD in Nashville, Tennessee where he lives to the east of the Cumberland river on a little wooded lot dubbed Bohemian Walnut Grove.
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