A Unified Theory of Conspiracy


Knowing and acknowledging the difference between fact and theory is never more crucial than when exploring the realms of hidden history (family or otherwise), since it inevitably overlaps with the phenomenon of conspiracy—that is, of individuals working together in secret, to bring about desired, usually criminal, ends. If we begin to see that seemingly unconnected, even disparate, groups and individuals appear to have been collaborating in ways that throw into question their public aims and characters, everything truly begins to look like a massive conspiracy. This may be a premature deduction. The easiest example that comes to mind is that of a body, human or otherwise, experienced from the inside, for example by a single blood cell. There may be an experience of the heart, the liver, the intestines and the digestive tract. It may be possible to observe these different organs performing their various tasks, and to notice that certain processes are occurring, for example, that food coming into the stomach via one channel is being processed by a separate system and then conveyed down another channel. From the inside, there is no awareness of being on the inside of anything, because the body is its own internal environment. It’s only through noticing the ways in which the various organs seem to be cooperating with each other and assisting with various processes that the idea of a larger body, containing everything, can be inferred.

It may be the same with the various groups and individuals which parapolitical research uncovers. The fact they take part in shared processes and seem to collaborate, while serving ostensibly separate, even opposed ends, suggests they are part of a larger system directing them externally. There is no need to assume that the majority of these individuals or groups are aware of being used by a larger governing intelligence, any more than a heart or a liver necessarily knows that it’s working for the body. The way to recognize such a controlling intelligence is twofold: to trace the connections between apparently unconnected agencies; and to attempt to deduce from this the processes being implemented through these agencies. This then allows for the hypothesis of a containing body, whatever that might be, without really saying anything about it outside of its methods, means, and apparent aims.

In “The Childhood Origins of the Holocaust,” the psycho-historian Lloyd de Mause talks about Weimar culture, the flourishing of the arts and sciences in Germany during the Weimar Republic, in the period between Germany’s defeat in World War I and Hitler’s rise to power. De Mause writes how it “may have produced ‘exuberant creativity and experimentation’ but also created “anxiety, fear and a rising sense of doom. . . . People began to call for ‘emancipation from emancipation’ and ‘a restoration of authoritarian rule.’” What de Mause is describing, in bald terms, is how a period of social and sexual freedom allows for a release of collective unconscious or “id” material in a people, and how this then leads to a corresponding reaction from the controlling ego, i.e., to even more severe social restrictions. It’s possible to extrapolate from this—an observable trend in history, both individual and collective—how such a principal could be consciously applied at the level of social engineering. If the aim, say, is totalitarianism, first promote the opposite ideas pertaining to individual freedom, sexual liberation, artistic expression, human rights, and drug experimentation. Such a hypothetical form of deep psychosocial engineering could, hypothetically, proceed over generations, propagating a set of values to one generation so as to create an opposing reaction from the next. It could also proceed at a more localized, short-term level, over periods of months, days, and hours, even down to a micro-level, such as when a TV show promotes “radical” or anti-capitalist values, while at the same time serving as product placement for corporations.

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Jasun Horsley

Jasun Horsley

Existential detective. Liminalist author. Movie autist in chronic confessional mode. You only think you don't know who I am.
Jasun Horsley

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