I’m not sure how they pulled it off, but the New York Times managed to get Alan Moore, you know the famously grumpy but amazingly talented writer of graphic novels such as Watchmen, to really open up about his favorite books. Sample:
Which writers — novelists, playwrights, critics, journalists, poets — working today do you admire most?
Questions like this make me uneasy for two fundamental reasons. Firstly, in anything other than a stark and unqualified list that unreels to the end of our allotted space here, there are going to be serious, gaping omissions that will cause me to wake at 3 in the morning and groan in useless torment at my own inadequacy as both a friend and reader. Secondly, I tend to exist at a remote and quarantined distance from most of the world’s news and information media. Given what a spectacular year this is turning out to be for bad news on both sides of the Atlantic, there remains a lingering anxiety about whether all of one’s nominees will still be extant come the (so to speak) deadline. With that said, there follows a painfully incomplete list of names that happen to be passing through my mind right at this specific moment: Pynchon; Coover; Neal Stephenson; Junot Díaz; Joe Hill; William Gibson; Bruce Sterling; Samuel R. Delany; Iain Sinclair; Brian Catling; Michael Moorcock (his currently underway “Whispering Swarm” trilogy is astonishing); Eimear McBride; the remarkable Steve Aylett for everything, and in particular for his indispensable and quietly radioactive “Heart of the Original”; Laura Hird; Geoff Ryman; M. John Harrison; screenwriter Amy Jump. . . . Look, I can either go on forever or I can’t go on. I’m already mortified by the pathetic lack of women writers represented and find myself starting to come up with wretched excuses and squirming evasions. Best we end this here…
[continues at the New York Times]
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