Psychedelic Scientists Put Together the Squarest Psilocybin Playlist Imaginable, On Purpose

How do you do, fellow kids? We have heard that there’s a hip new drug called psilocybin hitting the scene and we’ve applied our bossest science minds to help compile the funky freshest music mix to further optimize your experience. This whole article is basically the living embodiment of that Steve Buscemi meme but to be entirely fair, they’re making this mix suck as bad as it obviously does on purpose. It’s for people who have never tripped before, so the whole point is to not freak them out.

Which is sort of the opposite of what most psychedelic musicians are trying to do. You’re trying to help people through their hang ups, I’m trying to help them chat with omni-dimensional entities comprised from sentient living art. You’re pretending this shit is medicine (it’s religion) and I’m glad you’re doing that, seriously, gotta sell this shit to the squares in academia. Apparently this is how you sell it.

We all know by now that set and setting goes a long way in determining the overall impact of any given trip but I’ve got to be honest here. Sitting in a stale hospital like environment with doctors monitoring me while being forced to listen to a bunch of goddamn classical music during a strong mushroom peak strikes me as absolutely terrifying. I would want to fucking kill you by track 3. (from Inverse):

Two mandolins enter dreamily. They slowly build, occasionally fluttering, occasionally crescendoing, but always moving forward. This is what you hear in the first minute of a psychedelic treatment that could change the course of your life. The effects of the drug may not be noticeable yet, but one thing is very clear: This is a special space. The swelling soundscape surrounding you is the artistry of psychologist Bill Richards, Ph.D., who developed the playlist specifically for your psychedelic trip.

Richards works with Roland Griffiths’s lab at Johns Hopkins University, where patients get more than just conventional medicine. Instead, they get psilocybin, the active chemical in psychedelic “magic” mushrooms, so the researchers can investigate whether it can help cancer patients feel less depressed and anxious, induce mystical experiences in healthy patients, and even help smokers quit smoking. The results have been promising, adding to the continued efforts of a handful of researchers to bring psychedelics back into the scientific mainstream after decades of notoriety.

Unlike larger-scale clinical studies, psychedelic sessions are extremely personal and introspective, and as such, says Richards, it’s important for a volunteer to be supported by a compassionate staff and a safe environment. A big part of this is the playlist.

“I make the best musical choices I can, trying to separate the ‘very good’ and the ‘excellent’ on the basis of years of experience with many different people,” Richards tells Inverse.

“There’s only room for so much music in a six- to seven-hour period of time.”

Whether a session is held for treating anxiety, depression, and fear surrounding a terminal illness, or deepening meditative practice through a mystical experience — both things Richards has studied — he values music as a way to support a person’s experience.

It’s not a “trippy” playlist, though. You won’t find any psytrance or techno on the list, no Infected Mushroom, Shpongle, Daft Punk, nor any other music you might associate with altered states. Instead, there’s plenty of Brahms, Vivaldi, Mozart, and Bach. Richards says there’s a good reason for this: Orchestral music is less distracting and less likely to give room for a person to fall back on normal patterns of thinking.

“Except in the final phase, I tend to avoid music with words in the language of the volunteer, so as to discourage the rational mind from following the content of the words,” he says. “The human voice, as a solo or choir, can be very supportive, even maternal, but it is received as ‘another instrument of the orchestra.’”

While the assortment of sounds that make up his playlist is certainly important, Richards says it’s the order of songs that is crucial to a guided trip.

“In high-dose sessions, I feel that it is the structure of the music itself that matters most rather than the personal preferences of the volunteer or the guide — at least during the onset, peak and post-peak phases of the responses to the entheogen,” he says, using an alternate term for psychedelics that means “generating the divine within.”

Music during the onset of a trip, he explains, needs to be experienced as “supportive, unfolding, forward-moving.” At this stage, he suggests Edward Elgar’s “Nimrod” from his “Enigma Variations” series, which functions as a “nonverbal support system.”

“At a trip’s peak, music becomes a mirror of transcendental forms of consciousness that may not even be registered in unitive awareness, but is present if needed — like a net below a trapeze artist,” Richards says. In this playlist, the slow movement of Brahms’s Violin Concerto provides that sense of stability.

(Read the rest over at Inverse)

Thad McKraken

Thad McKraken

Thad McKraken is a psychedelic writer, musician, visual artist, filmmaker, Occultist, and pug enthusiast based out of Seattle. He is the author of the books The Galactic Dialogue: Occult Initiations and Transmissions From Outside of Time, both of which can be picked up on Amazon super cheap.
Thad McKraken