… Read the rest
From the assaulting black and white photo-realistic paintings of protest, anarchy, and social satire, to their legendary adopted brand and two headed snake and cross symbol. We head up to the Anarchist Book Fair in San Francisco to meet up with Gee Vaucher, and founding Crass member, writer, and activist, Penny Rimbaud. We discuss the art and the lifestyle stemming from the infamous Dial House, where they have lived, worked, and created their own brand of anarchistic beauty, for more than 3 decades. We have a sit down with artist Scott Campbell, at his own New York tattoo shop, and talk about how the art of Crass, and one single t-shirt created a fork in his own road of life. Owen Thornton talks some shit. Finally we hang out with British graphic designer Dave King – the creator of the infamous snake and cross symbol, and discuss post war England, hippies, punk, graphic design, and more, that led him to the creation of the symbol made legend by Crass.
Author Archive | agent139
A 5 colour silk screened, 3 colour ways print in an edition of 33 each on 400 gsm heavy Bristol paper with metallic ink overlays in each of copper, gold, and silver editions. The print image is 24×24 inches on a 32×32 inch sized paper.
“At all levels, ultimately graffiti is an act of cultural insurgency. It is a rebellion; against the norm, against society at large, against corporations, against the city or “government.” Graffiti is the act of changing the visual environment in the public space.… Read the rest
|Mandala on display at the Philadelphia Museum of Art.|
From Modern Mythology:
Much has been said about Carl Jung over the years, and despite the fact that many now in psychiatry and even some therapists seem to find him irrelevant, the amount that has been written about his ideas belies this claim. So much as is possible in a short article, I would like to consider both his contribution as well as provide a possible critique of some of his thought. Through that I hope to highlight the value of relating to symbols as psychological facts.
I think it best to begin with a psychological event that Jung himself considered important enough to mention in at least two of his published works. (Man and His Symbols and Memories, Dreams and Reflections.) This was a reoccurring dream he apparently had for some time, and we might turn some of his own approach toward it, though not nearly as thoroughly as there is only one point I’m looking to get at, rather than building an individual’s personal mythology—which is the means by which Jungian psychology can effectively get its teeth as something more psychological and less merely analytic.… Read the rest
‘Welcome to – how do you say – “a hole in history itself.’
This book is about magic, and about Generation Hex, teenagers and young adults who practice it.’
- Jason Louv (from Generation Hex, Introduction)
From Binding the Occult:
… Read the rest
For those of you that weren’t around during it’s heyday it would be hard to understand. There was no proper term for it. I could say Hyper Culture, I could say Ultra Culture, there were a million different terms for what was going on. It was a movement. The internet was still fresh and new. It had been born from some chaotic cesspool and out from it came a storm of ideas and people who were steeped in all sorts of eclectic occult knowledge. One, especially a sixteen year old boy, could just bathe in. Here was a world where the only books I could easily find were by a witch named Silver Ravenwolf, and suddenly I am diving into ideas that until recently were completely obscure.
The following is an exclusive excerpt from Party At The World’s End:
There will be in the next generation or so a pharmacological method of making people love their servitude and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies so that people will in fact have their liberties taken away from them but will rather enjoy it.
It took Bradley a long time to realize that the horrible buzzing wasn’t emanating from a three-foot tall green goddess with udder-like breasts. Hathoor the cow-goddess had somehow been jumbled up by his subconscious, now sharing cognitive space with the green-skinned alien that Kirk tried to fuck, and the backwards-talking dwarf from Twin Peaks. She was hovering above him, her mouth wrenched open in an eternal, orgasmic wail,—that electric heat scraped his eardrums with razors, gutting his miserable brain like an acoustic fishhook.… Read the rest
Missouri state Sen. Maria Chappelle-Nadal confronted Ferguson Police Chief Tom Jackson during a press conference Wednesday, asking why she was tear-gassed during a nonviolent protest.
Chappelle-Nadal, a Democrat, said she had been tear-gassed while peacefully protesting the death of Michael Brown, the unarmed African-American teenager shot to death by a police officer on Saturday.
“I just wanted to know if I was going to be gassed again, like I was on Monday night,” Chappelle-Nadal asked. “We couldn’t get out, and we were peacefully sitting. I Just wanted to know if I’m going to be gassed again?”
There’s this great Andy Warhol quote you’ve probably seen before: “I think everybody should like everybody.” You can buy posters and plates with pictures of Warhol, looking like the cover of a Belle & Sebastian album, with that phrase plastered across his face in Helvetica. But the full quote, taken from a 1963 interview in Art News, is a great description of how we interact on social media today.
… Read the rest
Warhol: Someone said that Brecht wanted everybody to think alike. I want everybody to think alike. But Brecht wanted to do it through Communism, in a way. Russia is doing it under government. It’s happening here all by itself without being under a strict government; so if it’s working without trying, why can’t it work without being Communist? Everybody looks alike and acts alike, and we’re getting more and more that way.
I think everybody should be a machine.
From The Register:
“It’s not as bad as you thought – it’s much worse.”
A leaked NSA cyber-arms catalog has shed light on the technologies US and UK spies use to infiltrate and remotely control PCs, routers, firewalls, phones and software from some of the biggest names in IT.
The exploits, often delivered via the web, provide clandestine backdoor access across networks, allowing the intelligence services to carry out man-in-the-middle attacks that conventional security software has no chance of stopping.
And if that fails, agents can simply intercept your hardware deliveries from Amazon to install hidden gadgets that rat you out via radio communications.
A challenging new post over at Modern Mythology asks what we are actually talking about, when we talk about race:
History is portrayed as a science. And yet popular history remains as much subject to emotion as reason. History may be consciously rewritten; much more often, it simply evolves. … The present is a consequence of the past. But the past is an invention of the present. (Empires Apart.)
This concept of whiteness as function rather than people or culture is presented surprisingly clearly in the character of the Borg in Star Trek: The Next Generation. They are a perfect metaphor for whiteness not as race but as force of hegemonic appropriation, as you can see in the first episode they appear in, “Q-Who?”
We are on the side of freedom, of love, of joy and laughter and divine drunkenness. Therefore our name is Babalon.
Sometimes we move openly, sometimes in silence and in secret. Night and day are one to us, calm and storm, seasons and the cycles of man, all these things are one, for we are at the roots. Supplicant we stand before the Powers of Life and Death, and are heard of these powers and avail. Our way is the secret way, the unknown direction. Ours is the way of the serpent in the underbrush, our knowledge is in the eyes of goats and of women.” -Jack Parsons