[Disinfo ed.'s note: This week I had the distinct pleasure of meeting up with Russ Kick for the launch of his epic series of classic literature anthologized in graphic form, The Graphic Canon. Although it's not published by disinformation, I'd encourage all disinfonauts to check it out; the quality is self-evident through and through. Russ and his publisher, Dan Simon, kindly agreed to let us give you another taste (also check out The Book of Revelation if you missed it previously).]
The Inferno is far and away the most well known, influential part of The Divine Comedy. No one can resist the inventiveness and appropriateness of the punishments suffered by sinners. Hypocrites wear outwardly beautiful cloaks that are lined with lead. Fortune-tellers have their heads on backward. Gluttons lie in putrid mud like pigs. Those who were violent against others boil in a river of blood. Flatterers, meanwhile, spend eternity submerged in shit.… Read the rest






Russ Kick writes: H. G. Wells is best-remembered as a late-Victorian pioneer of science fiction, mainly due to his 1890s novels The Time Machine, The Invisible Man, and The War of the Worlds. He cranked out dozens of books in numerous genres of fiction and nonfiction, and 1945—the year before his death—saw the publication of his last two books to come out during his lifetime: The Happy Turning: A Dream of Life and Mind at the End of Its Tether.
Irving Berlin is by any measure the greatest composer of popular American music, with hundreds of enduring hits, such as “White Christmas,” “Anything You Can Do,” “There’s No Business Like Show Business,” “Alexander’s Ragtime Band,” “I Love a Piano,” “Always,” “Blue Skies,” “Let’s Have Another Cup of Coffee,” “Cheek to Cheek,” “Marie,” “Play a Simple Melody,” “A Pretty Girl Is Like a Melody,” and “Easter Parade.”
