Archive | Art

Holly Herndon [Past : Forward]

This post was originally published on four by three magazine by Giuseppe Zevolli.


Are artists, consumers and critics guilty of a stubborn addiction to the past? Or have we become too obsessed with the new?
Music critic Giuseppe Zevolli ties American artist Holly Herndon’s forthcoming album Platform – to be released on May 18th – to the wider phenomenon of nostalgia for the past and the future of music, while confronting her experimental compositions in the here and now.


herndon album coverSan Francisco based electronic musician Holly Herndon does not have much time for nostalgia. In her view it is better spent on reviving the ‘world-making’ potential of music and do away with pre-existing tropes. On her track Unequal, off of her upcoming album Platform [RVNG Intl. & 4AD], a male voice recites:

To change the shape of our future/To be unafraid to break away

A climactic rush of shuddering electronica accompanied by meditative, pitch-errant vocals, the song tackles social inequality, while those two verses – echoing the manifesto-like messages appearing in her video for Interference – could equally be seen to encapsulate her aesthetics as a whole.… Read the rest

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Ann Lewis GILF activist artist’s SHATTERING catharsis

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Ann Lewis (gilf) “They don’t realize we are seeds”, Mixed Media

Joseph Gross Gallery is pleased to present SHATTERING, a solo exhibition of new work by Ann Lewis, also known as gilf!,

Opening Reception:
Thursday, May 7th | 6-9 PM
in Chelsea at 548 W 28th Street, suite 232.

Exhibition Dates: May 7-May 30, 2015 April 16, 2015 (New York, NY)

Based in Brooklyn, Ann Lewis (gilf!) is one of NYC’s most recognized and provocative female street and activist artists. She creates bold public work and gallery work that inspire thoughtfulness, while simultaneously motivating progressive change within communities. Earlier this year, the artist garnered national media attention when she installed a colossal banner resembling police caution tape that read ‘GENTRIFICATION IN PROGRESS’  at the former graffiti mecca 5 Pointz in Queens, New York. Since receiving her bachelor’s degree in Fine Art from the University of Wisconsin Madison, her work has been reviewed in Blouin Art Info, New York Magazine, New York Daily News, Brooklyn Street Art, Gothamist, and Wooster Collective.

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Lars von Trier Explains Dogme 95

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Originally posted on The Cinematika.

Lars von Trier turns 59 today and to honor the legendary auteur, Indiewire shared this short documentary about the Dogme 95 movement.

In an effort to take power away from the studios, von Trier founded the movement with Danish director, Thomas Vinterberg, in 1995. The movement “ended” in 2005 and included films from notable filmmakers such as Harmony Korine and Susanne Bier.

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Is Graffiti Art In National Parks Still Cool?

There’s no doubt that graffiti in urban landscapes has been legitimized not only as cool (think Futura 2000 in the ’80s) but also as fine art (think Banksy). The best graffiti artists are legends; but when they start creating their art on natural features of national parks, is it still cool? The LA Times questions the trend:

Andre Saraiva is an internationally known graffiti artist. He owns nightclubs in Paris and New York, works as a top editor of the men’s fashion magazine L’Officiel Hommes and has appeared in countless glossy magazines as a tastemaker and bon vivant.

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André Saraiva by Circle Culture Art GmbH (CC)

 

Two months ago he showed up on the decidedly un-fashionista website Modern Hiker, along with a photo of a boulder he tagged in Joshua Tree National Park. Since then, Saraiva, who lives in France and is known by his fans as Mr. Andre and Mr.

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Summer Sessions: Short-Term Residences For Artists


Thought I’d share this for all you budding artists out there.

via Summer Sessions:

The Summer Sessions are short-term residencies for young artists organized by a network of cultural organizations all over the world.

The Summer Sessions offer a highly productive atmosphere with production support and expert feedback to jumpstart your professional art practice. The result is a pressure cooker in which you develop a project, from concept to presentable work, ready to show.

Are you an ambitious, early career artist, full of ideas and ready to realize your project this summer? Then apply by submitting a video, in which you briefly explain your project, the support you need and why you should be a part of the Summer Sessions.

Apply here.

h/t Creative Applications

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Sprawl devours the planet.

A fantastic collection of street art about uncomfortable truths.

Are there any truths that aren’t uncomfortable? Increasingly street art is one of the only ways for people in the overdeveloped world to declare ‘Enough’ and thanks to the internet, we can hear them loud and clear.

From CSGlobe.com:

As the world moves to cities, so does art. And just as art can inspire political action and resistance, so too do the walls of the city become canvases for important street art messages.

And in the dense thicket of apartment buildings, skyscrapers, and public plazas, exterior walls of concrete buildings become the perfect canvas to display such messages. As shown below, simple slogans and provocative images can do a lot to inspire people to action, or at least remind them about the important issues they might be missing.

These people have names and addresses.

Your papers, please.

 

We're flushing the future down the drain.

Down the drain.

Feed our leafy friends.

If you don’t- who will?

Miserably trapped zoo animals.

Everybody loves the zoo. Mostly.

 

Sprawl devours the planet.

Shitting little houses made of ticky tacky.

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“Of the Devil’s Party” — The Art of Barry William Hale

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Barry William Hale “Codex 231″

“Of the Devil’s Party” the art of Barry William Hale

My work is a synthesis of Art and Magick, and the residue of my esoteric endeavours. It is essential for me to forge a magical link to the metaphysical subject matter. There is great power in the things people are afraid of. The Devil is the name some new regime gives to the God[s] of those whom they oppress. These repressed forces become the locus of forbidden power imprisoned by the walls of taboo.

For me, these Crowned Anarchies become the agencies of liberation. My work is Gnostic in the sense that it gives primacy to direct experience with the divine. In the spirit of the Rebellious Promethean spark of the Luciferian fire.

“Better to reign in hell than serve in heav’n”
- Paradise Lost — John Milton

BWH


Barry William Hale is a Sydney based artist whose work over the past 20 years has included painting, drawing, installation, video, sound and performance.… Read the rest
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Art Profile: Seishiro Matsuyama

flying saucer kingdom

This was originally published on The Moot Art Gallery.

Manic vibrancy pulsates in us everyday. We are saturated in light and colour so much so that it causes some people to become over-saturated and subsequently die or, even worse, imprisoned in a sea of grey misery (depression). It is a struggle, a constant war. Colour poses a risk as does the continual bombardment of information that we face in most of our daily routine. With an array of materials, from the high end products of oil and silicone to human excrement, crayon wax and markers, we choose materials and their instruments that lead to the exorcism of these bombardments of a techno-gizmotronic society. One by one the information is stored in log books, on sheets of paper, on the screen of a computer laptop, or hand held smartphone device via cloud storing technology to be contextualised for ourselves and for the enjoyment and the wellbeing of others.… Read the rest

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