Disinfonaut Graham Hancock and I talk visionary art, ancient aliens, psychedelics, creativity, and the entheodelic storytelling paradigm.
… Read the rest
Canadian director David Cronenberg has always been fascinated by technology, whether it’s the grotesque hand/gun hybrid in Videodrome or the fleshy ports in eXistenZ that allow gamers to plug directly into their spines. That interest is fully on display in Cronenberg’s first novel, Consumed, a murder mystery which explores the way that YouTube and 3D printing are shaping our reality.
“I definitely belong on your blog,” David Cronenberg says in Episode 125 of the Geek’s Guide to the Galaxy podcast. “I was definitely a geek. I don’t think I was a nerd, socially, but I was definitely a geek and loved technology.”
Consumed concerns a young couple, Nathan and Naomi, who travel the world in search of ever more scandalous material to post online. They text each other constantly but rarely meet face to face, masters of the digital world but strangely disconnected from the real one.
… Read the rest
15 years of Kartell transparency told through a surreal journey of light and plastic.
The protagonists: 7 icons of contemporary design.
From the lightness of La Marie to the success of Louis Ghost, all the way through to the majestic Uncle Jack (which marks yet another technological landmark for the company), the creative team at abstract:groove designed a visual path made of scenographic installations that come to life through simple creative clockworks, limiting the use of post-production to the bare minimum.
The actors in the film are extraordinary: their personality is shown through a clever use of lights, reflections and behaviours. The souls within the objects are animated by scenery and scenography, informed and mutated by the concept of “motion design”.
“Our main goal was to capture the soul of these objects through the relationship between light and plastic surfaces, trying to let them express as if they had a life of their own.”(Luigi Pane, abstract:groove creative director).
My sci-fantasy graphic novel TRETA-YUGA, now live on Kickstarter, has been inspired by Graham Hancock’s bibliography (and a host of other authors). I wanted to take the time to trace some of these influences while simultaneously reviewing Hancock’s newly released epic Return of the Plumed Serpent, the second installment of the War God trilogy.
Graham Hancock is a legendary author, and therefore writing about his work can be prove to be immensely daunting. So much has already been said, and yet there are a great number of themes that I do not see discussed in his work.
For better or worse, the psychedelic activism that he has been adamant about in recent years is given more attention than the majestically magic worlds of his fiction, which he considers a more important vehicle for the translation of entheodelic visions that have consumed him in the over 100+ ayahuasca/DMT experiences he’s had.… Read the rest
via 3D print:
… Read the rest
When French 3D design company Le FabShop set up its booth near the Shapify space at the Autodesk Pop-Up Gallery in Paris last October, one young designer with Le FabShop, Samuel N. Bernier, could not resist collaborating with the neighbors. Le FabShop is a major distributor of Makerbot 3D printers and scanners in France, organizes Maker Faires, and provides retailers such as the upscale gift shop at the Versailles Palace with high-quality 3D printed objects such as architectural models. Shapify, a branch of Artec, the 3D scanner manufacturer, has begun setting up 3D scanning photo booths in Europe, the UK, and the US. The booths allow users to create full-body 3D scans and then 3D prints of the scan subjects. In short, they are 3D photo booths.
Enter Le FabShop’s young maker, who saw an opportunity to combine the resources of Le FabShop and Shapify to pay homage to his unnamed fiancée.
Should be noted that the crowdfunding campaign was a rousing success, and my favorite book about summoning aliens with your privates is coming to a stage in Liverpool this Sunday, November 23rd (of course) and again in London the following weekend. Not only that but there’s going to be an epic “Conferestival” on Saturday to kick things into the upper echelons of high strangeness. Apparently, some of my collage sigils even made it into the tantric sex sequence of the play, which is magickally appropriate. To say that I’m more than a bit honored by this creative decision would be a massive understatement. If only I was a richer man who could justify spending my money on such a trip, I’d be there in a heartbeat, but alas it is not to be at this point in my life. Apparently they might make it to the states here if it’s successful enough (come to Seattle) but if you happen to live in the UK, make it fucking so.… Read the rest
In the wake of the 2014 midterms, it is estimated that dark money spending — campaign expenditures from unknown contributors — topped $145 million. Most of that is spent on outside advertising, which is now largely unregulated since the Citizens United decision ruled that restricting corporations’ right to spending in elections is tantamount to prohibiting citizens’ freedom of speech.
The increasing majority of these campaign ads are negative, which puts off the electorate and reduces turnout. And most of these ads are now run by outside groups that supposedly have no coordination whatsoever with the candidates that they are supporting — and if you believe there is no coordination with Super PACs and campaigns, Karl Rove is here to tell you that Ohio just went for Romney. And in 30-second installments, these ads can’t say much except try to push buttons.
In other countries, candidates are given evening primetime to tell the public what they are for, as opposed to hiding behind attack ads.… Read the rest
My cinematic graphic novel TRETA-YUGA—the sequel to my breakout success KALI-YUGA—is now live on Kickstarter. In light of this, I thought I’d note the ways in which Eastern lore has profoundly influenced my work in graphic novels.
From my original article at Reality Sandwich:
… Read the rest
The Japanese have always had a distinct way of portraying supernatural encounters with otherworldly beings. The infiltration of J-horror into the stale domain of Hollywood was an early sign of amnesiac Westerners longing to learn of the old ways. Supernatural encounters with the other (often the demonic Yokai), in whatever horrific way they are experienced in media, is seen by the Japanese as a way of gleaning knowledge from forgotten ancestry and learning the delicate threads of fate. It is in these darkly psychedelic, shadow healing encounters with the Gods that mortals are forced to reconsider the meaning of time, matter, and being.
Scholar Noriko T.
Jonathan Payne is a Los Angeles based sculptor. He sculpts fascinating recreations of human body parts. Payne calls this series the Fleshlettes.Fleshlettes: