Should be noted that the crowdfunding campaign was a rousing success, and my favorite book about summoning aliens with your privates is coming to a stage in Liverpool this Sunday, November 23rd (of course) and again in London the following weekend. Not only that but there’s going to be an epic “Conferestival” on Saturday to kick things into the upper echelons of high strangeness. Apparently, some of my collage sigils even made it into the tantric sex sequence of the play, which is magickally appropriate. To say that I’m more than a bit honored by this creative decision would be a massive understatement. If only I was a richer man who could justify spending my money on such a trip, I’d be there in a heartbeat, but alas it is not to be at this point in my life. Apparently they might make it to the states here if it’s successful enough (come to Seattle) but if you happen to live in the UK, make it fucking so.… Read the rest
Tag Archives | Alan Moore
Without a doubt, if you were to ask any comic book aficionado to put together a top five comic book creators list, Alan Moore would be in every list. Some even consider him to be the greatest comic book writer of all time.
“When waiting for a train at London’s Victoria Station in 1984, Gaiman noticed a copy of Swamp Thing written by Alan Moore, and carefully read it. Moore’s fresh and vigorous approach to comics had such an impact on Gaiman that he would later write; ‘that was the final straw, what was left of my resistance crumbled. I proceeded to make regular and frequent visits to London’s Forbidden Planet shop to buy comics’.” – Neil Gaiman: Journalism, early writings, and literary influences
Neil Gaiman – 3 books that have changed my life
The ruthlessly eloquent condemnation of Grant Morrison, unleashed by Alan Moore earlier this year, still seems to be ringing through the mediasphere. Dangerous Minds sums it all up quite succinctly with “Alan Moore really hates Grant Morrison’s guts.”
One of the more enchanting rhetorical spells Moore casts against his fellow scribe, taken from Pádraig Ó Méalóid’s interview, is when he refers to Morrison’s “herpes-like persistence.” Which he intends as an insult, one would assume, but unfolds as an illuminating insight into what makes Morrison’s work resonate.
Persistence! Through all manner of obstacle and difficulty. It reminds me very much of Aleister Crowley’s magical motto: “Perdurabo” a latin word which is generally translated as “I will endure to the end.”
I for one would like to express my sincere gratitude for Grant Morrison’s herpes-like persistence, long may it endure!
Alan Moore, of course, still totally rules, and I very much look forward to his participation in Daisy Eris Campbell’s dramatic adaptation of Robert Anton Wilson’s Cosmic Trigger.… Read the rest
Did you remember, remember the Fifth of November, disinfonauts? Well just in case you forgot, that means it’s Guy Fawkes Day. Michael Shammas tells us why Guy Fawkes and its modern day movie iteration V for Vendetta is more important than ever, at PolicyMic:
… Read the rest
Warning: major spoilers below
Every Nov. 5 for the past few years, I’ve sat back with a few friends to watch V for Vendetta. While ostensibly we did this to commemorate Guy Fawkes Day, which marks the anniversary of British revolutionary Guy Fawkes’s attempt to blow up the Parliament in 1605, we really did it because everyone else was doing it, and we were bored.
But this Nov. 5, I expect I’ll be a bit more alert when I watch V. Why? Because the movie’s lessons are more important now than ever before.
Originally a graphic novel by Alan Moore, V for Vendetta is set in a dystopian England where a revolutionary wearing a Guy Fawkes mask sets out to destroy a fascist party called Norsefire by convincing citizens to stand up and rule themselves.
“KALI-YUGA is an epic dark fantasy/sci-fi graphic novel trilogy concerning the fate of the heroic, time traveling wizard named Abaraiis, who is born as a 500 year old man.”
As the name suggests, Benton’s artistic directions implicitly explore esoteric and mythological dimensions of our time. I wanted to hear more about how these ideas played into the creation of KALI-YUGA.
Here is our conversation.
Note! My readers should also see Benton’s Kickstarter campaign for KALI-YUGA. If the spirit so moves you, consider donating a little something to support this fantastic indie art project:
JJ: How do you situate yourself, as an artist, in a hyper-mediated, rampantly technologized time? From the looks of it, KALI-YUGA explores both mythology and some epic-sized science fiction.… Read the rest
About six months ago, I spontaneously started contemplating the nature of using the cut up technique popularized by William S. Burroughs and Brion Gysin to tap into what they referred to as the “third mind”. This automatic introspection occurred while I was perusing through the incredibly brilliant re-assembled art books of Robert Pollard. Anyone who knows me knows that I’ve been a Guided By Voices nut for quite some time, but I’ve never honestly written about this particular obsession or where it stemmed from before, and so I had an idea of combining these two things into one utterly bizarre piece of music writing.
Vivian, the editor of Redefine didn’t really get it, and neither did I consciously, but it was something I felt compelled to hash out nonetheless. Truth be told, I just don’t think any other writer did the band’s 2012 reunion albums justice, or had accused them of practicing a sort of unconscious witchcraft for that matter.… Read the rest
Too Much to Dream author Peter Bebergal recently interviewed legendary comic book author and practicing magician Alan Moore for The Believer magazine. I think that disinfonauts will find it an entertaining read.
… Read the rest
BLVR: Where do you think human consciousness fits into that? Is it somehow separate from it?
AM: If time is an illusion, then all movement and change are also illusions. So the only thing that gives us the illusion of movement and change and events and time is the fact that our consciousness is moving through this mass along the time axis. If you imagine it as a strip of celluloid, each of those individual cells is motionless. If they each represent a moment, they’re unchanging. They’re not going anywhere, but as the projector beam of our consciousness passes across them, it provides the illusion of movement, and narrative and cause and effect and circumstances.
BLVR: You also believe that we can change the aperture of that projector through various processes like magic, or other ways of shaping consciousness.
Alan Moore interviews are always worth reading. Here he discusses psychogeography as it applies to various of his works.
… Read the rest
What exactly, in your not unlimited understanding, is Psychogeography?
In its simplest form I understand psychogeography to be a straightforward acknowledgement that we, as human beings, embed aspects of our psyche…memories, associations, myth and folklore…in the landscape that surrounds us. On a deeper level, given that we do not have direct awareness of an objective reality but, rather, only have awareness of our own perceptions, it would seem to me that psychogeography is possibly the only kind of geography that we can actually inhabit.
What books and writers ignited your interest in psychogeography?
The author that first introduced me to the subject was the person I regard as being its contemporary master, namely Iain Sinclair, with his early work Lud Heat.
I had a dream that I inhabited a construction supply warehouse and was picking up materials for my new cosmology. I picked up understanding, gnosis and some new pipes for a free flowing system connected to the logos. I awoke from the metaphor to realize that this dream told me that my worldview, and even who I AM, creates the landscape of my reality. “Blame it on last night’s whiskey,” I said and returned to sleep, but the same idea came again in another way: This time, I was in an art studio that my present self does not yet own. Here I made with paint and canvas my own cosmos. Where previously it was a construct, now it was a work of art.
In Alan Moore’s first film, Jimmy’s End, Jimmy visits an unexpected place in which the big show of creation happens, performed by the great “I AM”.… Read the rest