“Jel Ena is a Serbian born multi-media artist based in LA. Her darkly erotic visualizations are enchanting, projecting characters with feminine mystique of epic proportions. Jel Ena’s illustrations capture complex emotions and the mythology of desire and color. Her ability to capture flesh and light is remarkable, drawing the viewer always further into her dark, sensual dreamscape.”
Tag Archives | Alternatives
Brian C. Muraresku via grahamhancock.com
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“The man of a traditional culture sees himself as real only to the extent that he ceases to be himself. Plato could be regarded as the outstanding philosopher of ‘primitive mentality’ – the thinker who succeeded in giving philosophic currency and validity to the modes of life and behavior of archaic humanity.”1
The Real Hippies
What’s become of religion these days? Seriously. More than a billion people across the planet are religiously unaffiliated. That includes one in every five Americans and Europeans, and – believe it or not – almost half of the British public. Impressive as those numbers are today, just imagine the future of the Western world.
Disinfo.com features this iconic work by an artist making some of the most influential and recognizable art of our time.
Kris Kuksi ‘False-Patriot Revolution’ was exhibited at the Mark Moore Gallery, Los Angeles
KRIS KUKSI – Antiquity in the Faux Nov 15 – Dec 20, 2014 | All photos by Kris Kuksi.
Kris Kuksi Interview with Disinformation
Disinfo: What can you tell us about the guillotine piece ‘False-Patriot Revolution’?
On his popular show, The Higherside Chats, Greg Carlwood has sat down for podcasts with dozens of researchers, authors, and experts on a whole host of conspiracy, paranormal, and fringe-soaked topics.
Selected subjects from our ramblings: why magic is real, transhumanism, meditation, manifesting success, celebrating the fact that humans don’t know shit, psychedelics, how to focus your passion properly and more.
One of the things that always sticks out in my mind when I speak with Greg (aside from just how weird, wonderful and, in some ways, severely fucked the world is) is just how much we trick ourselves into believing we don’t have the power to save ourselves from a mediocre existence. I do declare that no matter where you find yourself, it’s fully possible to take a 90 degree turn off of the the well-worn path. You, my friend, have the capacity to sharpen the stick on your freak flag, plunge it deep into the soil and craft something that is uniquely yours around it.… Read the rest
Credere Volo (I Want to Believe)
In my current series, Credere Volo (I Want to Believe), the imagery recalls the almost fetishistic religious works from the past of beautiful young children with rapturous gazes in the throes of fervent supplication.
This is the sort art that fascinated me as a Mormon child growing up in a religious -and somewhat artless- household. I would find the reproductions of devotional art and photography in the family Bible and other religious texts, and gaze into them, falling into them hard. Such beauties! These wonderful children were appealing to me for their purity while all the time also being shame-inducing because I knew I would never believe so fully and gorgeously.
Searching, I could not leave them alone. I would return to them over and over, pleasing my parents with an apparent interest in the Word.… Read the rest
The works of Marian Spore Bush (1878-1946) will head to auction at Slotin Folk Art April 25 2015
Marian was the first female dentist in Bay City, MI. She left her practice and became a self-taught painter in NY in 1920 after the death of her mother. Marian became well-known using a special technique in which she used paint so thick that it seemed as much sculpture as painting. She claimed her large surrealistic works were inspired by long-dead artists who were communicating with her from “beyond the veil.” Her paintings seemed to forecast world events and conditions. In the early 1930s, she began to paint huge stark canvases in black and white, often depicting images of war. Edward Alden Jewell, art critic for the New York Times, said of her 1943 New York exhibition, “All the war paintings are symbolic in nature, if accepted as manifestations of psychic phenomena.” Bush even created an eerie example of this psychic phenomena with a painting entitled “New York City,” which depicts two airplanes and burning buildings amidst the skyscrapers of New York.… Read the rest
Kyle Maxey via engineering.com
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Additive manufacturing, also known as 3D printing, has become one of the wonder-techs of the new millennium. Granted, while the vast majority of 3D printers on the market are little more than souped-up trinkets, some machines are leveraging the technology’s additive assets to instigate real change.
Chemistry has always been a daunting subject. When confronted with working on the molecular level, extreme precision is required. For many researchers the process of working with small molecules requires such long-durations and precise equipment to synthesize that it prevents them from doing any fundamental research.
To stop this production bottleneck Martin Burke, a Professor of Chemistry at the University of Illinois in Urbana-Champaign, has been developing a “3D Printer” that can replicate what nature does when it builds small molecules. Key to Burke’s machine is an understanding that there is a small number of small molecules that nature uses to produce a large portion of life’s chemistry.
Katie Herzog via Grist:
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What we do with our dead can seem bizarre to outsiders. In a Tibetan tradition called sky burial, the deceased are cut into small pieces by a man known as therogyapa, or “breaker of bodies,” and laid atop mountains to be picked apart by vultures. Later, the bones are collected and pulverized with flour and yak butter and fed to crows and hawks. Feeding your loved ones to the same birds who eat roadkill may seem morbid to those of us in the West, but in Tibet, it’s both sacrosanct (these birds are sacred in Buddhism) and practical (ever tried to dig a grave in frozen ground?).
Tibet isn’t the only place with seemingly odd customs: In Madagascar, the bodies of the deceased are exhumed and sprayed with wine and perfume every few years. In Ghana, people are buried in coffins that represent their lives, so a fisherman might spend eternity in a box shaped like a carp and a farmer may spend it in a six-foot cob of corn.
The march of time spares none, neither rich, famous nor powerful. The deep, existential angst that comes part and parcel with that knowledge has, no doubt, haunted mankind from the very first moment we became self-aware. It’s also the one obstacle we’ve encountered as a species we just take for granted as the unassailable natural order of things.
It’s incredible really- we’ve walked the moon, we fly across the world and we transmit words through the air as if it’s trivial. Yet, for some reason when it comes to aging, we yield. Even the most brilliant men among us don’t consider the possibility that we might be able to circumvent becoming old and dying.
Actually, some brilliant men do.
In this installment, the Free Radical crew speaks with martial artist and world traveler Kilindi Iyi. Iyi discusses his travels through the African continent, including his studies of ancient shamanistic practices, secret societies, and martial arts traditions. Kilindi has studied under and worked with tribal elders and leaders throughout Africa. He also details his extensive study of entheogenic substances, particularly psilocybin (in amounts that make Terence McKenna’s “Heroic Dose” look like child’s play), and his theories of the new, natural shamanism and transhumanism.
Kilindi can be reached via facebook.