Tag Archives | Animation
Our free culture anthem gets a fabulous arrangement by Nik Phelps. Vocals by Connie Champagne. Animation and song by Nina Paley.
Robert Breer, an animator whose use of novel techniques opened up a new language for film, died on Aug. 11 at his home in Tucson. He was 84. Mr. Breer, a painter by training, early on saw the potential for breaking with the narrative sequences and anthropomorphic forms that defined the medium [of animation]. Viewers were bombarded with wiggling lines, letters, abstract shapes and live-action images that jumped and flashed, zoomed and receded. “He was a seminal figure in the new American cinema and the American avant-garde beginning in the 1950s and continuing right up to the present,” said Andrew Lampert of the Anthology Film Archives in Manhattan.
"Just last week you read about the H-bomb being dropped. Now two great English writers, two very imaginative writers - I'm gonna tell you if you have youngsters in the living room tell them not to be alarmed at this ‘cause it's a fantasy, the whole thing is animated - but two English writers, Joan and Peter Foldes, wrote a thing which they called ‘A Short Vision' in which they wondered what might happen to the animal population of the world if an H-bomb were dropped. It's produced by George K. Arthur and I'd like you to see it. It is grim, but I think we can all stand it to realize that in war there is no winner."
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Though still a long way from being tested in humans, the implant demonstrates for the first time that a cognitive function can be improved with a device that mimics the firing patterns of neurons. In recent years neuroscientists have developed implants that allow paralyzed people to move prosthetic limbs or a computer cursor, using their thoughts to activate the machines.
In the new work, being published Friday, researchers at Wake Forest University and the University of Southern California used some of the same techniques to read neural activity. But they translated those signals internally, to improve brain function rather than to activate outside appendages.
“It’s technically very impressive to pull something like this off, given our current level of technology,” said Daryl Kipke, a professor of bioengineering at the University of Michigan who was not involved in the experiment.
In 1946, Salvador Dalí collaborated with Walt Disney animators on Destino, a surrealist animation that was storyboarded but scrapped due to budgetary concerns. Destino wouldn't be finished until 2003, when Roy Disney resurrected the project. Melting clocks à la Disney!