Tag Archives | Art

Does Prozac Help Artists Be Creative?

Prozac pills croppedHas creativity been squelched in our Prozac nation? Alex Preston discusses whether or not SSRI antidepressant drugs “hamper the creative process, extinguishing the spark that produces great art, or do they enhance artistic endeavour?” in the Guardian:

Twenty-five years after pharmaceutical giant Eli Lilly unleashed Prozac on the red-braced 80s, SSRIs are still the world’s most popular antidepressants. They are swallowed by more than 40 million people, from Beijing to Beirut, knitting a web of happiness from New York to New Caledonia. Selective serotonin reuptake inhibitors, of which Prozac is the best known, are the defining drug of the modern age, the crutch of choice for the worried well. In the US, where one in 10 takes antidepressants, you can buy beef-flavoured Prozac for your dog, trademarked Reconcile. The Prozac revolution has not only changed the way we think about depression (aided by Eli Lilly’s mammoth advertising campaign); it has also changed the way we think, full stop.

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Bad Shroom Trip: The Opera

Performance artist and opera singer Joseph Keckler unveils an epic, original Italian operatic aria that explores the dizzying highs and lows of a tumultuous psilocybin experience. Visuals provided by Sifl and Olly creator Liam Lynch:

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The Art of Harvey Kurtzman

Cartoonist Harvey Kurtzman (1924-1993) founded the satirical MAD magazine in 1952 and forever altered the way young readers experienced the media and consumer culture around them. As the late film critic Roger Ebert explained, “I learned to be a movie critic by reading MAD magazine. I learned a lot of other things from the magazine too, including a whole new slant on society. MAD‘s parodies made me aware of the machine inside the skin–of the way a movie might look original on the outside, while inside it was just recycling the same dumb old formulas. I did not read the magazine, I plundered it for clues to the universe.”

After MAD, Kurtzman worked with a team of artists including Al Jaffee, Jack Davis and Will Elder on a series of short-lived but influential publications, including TRUMP, HUMBUG and HELP! At HELP!, a fortuitous nexus of nascent sketch comedy and underground “comix,” Kurtzman worked with then unknowns Woody Allen, Gloria Steinem and R.… Read the rest

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Glitch Art Goes Big

bitmap glitch skull by Flickr user letloosethelambs (CC)

I love outsider art and creative détournement, and so when something as innovative and unsettling as ‘data-moshing‘ and ‘glitch art‘ grew, I took notice. It may have been the inevitable combination of remix culture, hacking/programming, and the new aesthetic, but it definitely makes for some some interestingly (and intentionally) bad art.

Not every artistic endeavor gets recuperated by the mainstream (it sometimes feels as though they are randomly selected), but rather than kvetch about it when they do, it’s interesting to see in what way they are utilized. Glitch art is so jarring, often painful to watch and surely more challenging to create, that I am genuinely surprised that anyone would actually want glitches in their corporate Matrix.

But two pop-culture franchises have utilized it within the last few weeks. The first was the brilliant episode of Adventure Time, “A Glitch is a Glitch“, in which the villainous and buffoonish Ice King shortsightedly releases a virus to corrupt and destroy the entire Land of Ooo.… Read the rest

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Art and Physics

Via orwellwasright:

It’s well known that many of the great breakthroughs in science seem to occur both independently and near-simultaneously: Isaac Newton, Gottfried Leibniz and the development of calculus; Nikola Tesla, Guglielmo Marconi and the invention of the radio; Alfred Russel Wallace, Charles Darwin and the theory of evolution are just three famous examples of radical new theories and inventions appearing in apparent isolation from one another. But what if scientific developments are prefigured by artists, who elucidate new concepts and manners of expressing space, light and time which capture the essence of radical new approaches to theoretical physics years before they actually occur? This is the subject for Leonard Shlain’s fascinating book, Art and Physics.

Shlain takes the reader on a journey through history, from the classical art of the Greco-Roman world through the spiritual mosaics of the medieval era and the Age of Reason up to the present day; from Euclidean geometry to Galileo, Newton and the discoveries of Einstein.… Read the rest

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I, pet goat II

A story about the fire at the heart of suffering. Bringing together dancers, musicians, visual artists and 3d animators, the film takes a critical look at the events of the past decade that have shaped our world.

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Ken Goldberg’s Seismic Signals

Screenshot of Bloom, 2013, by Ken Goldberg, Sanjay Krishnan, Fernanda Viégas, and Martin Wattenberg.

Venue interviews one of the more interesting professors you’ll run into at any university, Ken Goldberg:

The Hayward Fault runs through the center of the UC Berkeley campus, famously splitting the university’s football stadium in half from end to end. It has, according to the 2008 Uniform California Earthquake Rupture Forecast, a thirty-one percent probability of rupturing in a magnitude 6.7 or greater earthquake within the next thirty years, making it the likeliest site for the next big California quake.

Nonetheless, for the majority of East Bay residents, the fault is out of sight and out of mind—for example, five out of six Californian homeowners have no earthquake insurance.

Meanwhile, three-quarters of a mile north of Memorial Stadium, and just a few hundred yards west of the fault trace, is the office of Ken Goldberg, Professor of Industrial Engineering and Operations Research at Berkeley.

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