Tag Archives | Brett Easton Ellis

Bret Easton Ellis on the ‘Reign of the Gay Magical Elves’

EllisBret Easton Ellis, author of modern classics Less Than Zero and American Psycho, writes about the lionizing of celebrities who announce they are gay for OUT:

Was I the only gay man of a certain demo who experienced a flicker of annoyance in the way the media treated Jason Collins as some kind of baby panda who needed to be honored and praised and consoled and—yes—infantilized by his coming out on the cover of Sports Illustrated? Within the tyrannical homophobia of the sports world, that any man would come out as gay (let alone a black man) is not only an LGBT triumph but also a triumph for pranksters everywhere who thrilled to the idea that what should be considered just another neutral fact that is nobody’s business was instead a shock heard around the world, one that added another jolt of transparency to an increasingly transparent planet. It was an undeniable moment and also extremely cool.

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American Psycho Attacks Broadway

American psychoWhen Brett Easton Ellis’s classic ’80s New York story American Psycho was made into a Hollywood movie in 2000 it was extremely controversial and had trouble finding theaters willing to screen it. Fast forward a decade and it’s now an American classic worthy of a major Broadway musical. Personally I think Ellis was spot-on with his satire of the excess of New York in the ’80s, far more so than, say, Oliver Stone’s Wall Street. The funny thing is, too, that some of the satire doesn’t even seem odd anymore; I could swear I’ve seen items like “rare roasted partridge breast in raspberry coulis with a sorrel timbale” in a real New York restaurant… From the New York Post:

Move over, Sweeney Todd — another singing psycho is nearing his Broadway debut.

The tale of Patrick Bateman — a fictional Wall Street banker obsessed with designer clothes, Phil Collins, rape and murder — is going to drench the Great White Way in blood in “American Psycho: The Musical,” producers of the show told The Post.

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