Andrei Tarkovsky is one of my go-to “favorite directors” when asked. I stumbled upon this video when browsing The Criterion Collection’s YouTube videos. It’s worth a watch.
Tag Archives | Cinema
Brink is a minimalist romance amidst floating objects – a love story eloquently framed by a futuristic catastrophe. What would happen if we slowly lost gravity on Earth? Who would you tie yourself to?
There is no other place in the world that can ease my anxiety or release my troubled mind than the cinema. There’s something special about watching a film on a large screen with like minded movie-goers surrounding you. And while I doubt this newfangled idea will catch-on, it’s still irritating to think about. Though, and I have to admit, that I’m often more annoyed by the loud popcorn crunchers and rustling wrappers than I am by someone looking at their phone.
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Theaters in major Chinese cities have starting experimenting with “bullet screens” on which audiences can send text messages commenting on the film, which are then projected directly onto the screen.
If you’re sensitive to people using their cellphones during a movie, then going to the movie theater in China would be far from relaxing experience.
The Mouth of the Lion (La Boca Del Léon) is an interesting answer to the over-saturation of the “found footage” films that we’ve had to endure the past few years. It has that found footage feel, but is rendered in a relatively new way. The film also raises compelling questions about the whole “Skype exorcism” fad, you may or may not have heard about.
Personally, I’m still partial to widescreen films seen in the cinema. But, I always appreciate innovation and am a sucker for the horror genre. Enjoy.
NOTE: The film is roughly 5 minutes long.
via the Press Release:
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“The Mouth of the Lion” (La Boca Del Léon) is a story directed by Alfonso García López Madrid and written by Vincent Blonde Catalan under the production of the pop producer GEOFILMS ENTERTAINMENT. Inspired by the real exorcisms of Manual Vatican, the film tells the harrowing story of a father who is obsessed with the world of the dead. One of his macabre games has gone too far, so he decides to make one last call for help.
If you haven’t figured it out through previous posts of mine, I’m fascinated by the ingenuity and brilliance of film directors and the people they work with. I’m biased, but I do think that film is by far the most challenging and rewarding of the arts. It’s one of the only art forms that can easily transcend societal barriers. The only other art I’d consider to have such an effect is music, but what’s unique about cinema is that it’s inclusive of all art forms. You will find that the fine arts, music, photography, and writing all play an integral role in the creation of a quality film.
Take for example, The Thing (John Carpenter, 1982). Artist Michael Ploog crafted two of the most visually stunning scenes via beautifully drawn storyboards. In the video below (thanks to Vashi Visuals), you can see the comparison between Ploog’s highly impressive drawings and the brilliant special effects and cinematography of the actual film.… Read the rest
Film by Vic Atkinson, who has proven that to make a dope movie, all you need is a damp forest of fungi and Chappell’s TVMusic 101-104 on wax. Throw in a few bugs and dead leaves for added ambience, and you’ve got yourself an instant classic.
Via the New York Times, pretty much all you could ask for in an eccentric billionaire movie mogul:
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Run Run Shaw, the colorful Hong Kong media mogul whose name was synonymous with low-budget Chinese action and horror films — and especially with the wildly successful kung fu genre, which he is largely credited with inventing — died on Tuesday at his home in Hong Kong. He was 106.
Born in China, Mr. Shaw and his older brother, Run Me, were movie pioneers in Asia. In 1924 Run Run and Run Me turned a play called “Man From Shensi” into their first film. In Hong Kong, Run Run Shaw created Shaw Movietown, a complex of studios and residential towers where his actors worked and lived.
Mr. Shaw enjoyed the zany glamour of the Asian media world he helped create. He presided over his companies from a garish Art Deco palace in Hong Kong, a cross between a Hollywood mansion and a Hans Christian Andersen cookie castle.
This is probably more helpful than the current MPAA rating system in use here. Via the Washington Post:
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Four Swedish movie theaters touched off a heated debate across Stockholm last month — and in the English-language media this morning — with the announcement that they plan to begin publicly labeling films that pass the so-called “Bechdel test.” The metric gauges whether a film meets a bare minimum standard for developed female characters.
Promoters are encouraging theaters to stamp its “A” logo on the movie posters and pre-roll screens of any film that (1) has at least two female characters who (2) talk to each other (3) about something other than men. A surprisingly high proportion of films fail this test.
In the weeks since, it has been covered in a dozen newspaper columns and earning the endorsements of Equalisters, Women in Television and Film and a popular cable movie channel and, controversially, the blessing of Anna Serner, who presides over Sweden’s state-funded film institute.
One of my favorite movie-going experiences of 2012 was spending four Saturday and Sunday afternoons watching Mark Cousins’ The Story of Film: A 15-hour history of cinema that A.O. Scott of The New York Times called “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours…stands as an invigorated compendium of conventional wisdom.”
Before taking on such an ambitious project, Cousins had established his reputation as a film critic as well as the host of the BBC show Scene by Scene. The program found Cousins in coversation with some of the world’s best film directors, discussing their most iconic images and sounds.
This episode of Scene by Scene features Cousins in a bristly interview with Roman Polanski. Besides Polanski’s personal horrors, the gifted director has made important contributions to the horror/thriller/supernatural genres including: Knife in the Water, The Fearless Vampire Killers, The Tenant, The 9th Gate and the classic, Rosemary’s Baby.… Read the rest