A short documentary about Russian composer, Galina Ustvolskaya.
According to Wikipedia:
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Ustvolskaya developed her own very particular style, of which she said, “There is no link whatsoever between my music and that of any other composer, living or dead.” Among its characteristics are: the use of repeated, homophonic blocks of sound, which prompted the Dutch critic Elmer Schönberger to call her “the lady with the hammer”; unusual combinations of instruments (such as eight double basses, piano and percussion in her Composition No. 2); considerable use of extreme dynamics (as in her Piano Sonata No. 6); employing groups of instruments in order to introduce tone clusters; and the use of piano or percussion to beat out regular unchanging rhythms (all of her acknowledged works use either piano or percussion, many use both).
The music of Galina Ustvolskaya is not ‘avant-garde’ in the commonly accepted sense of the term and for this reason was not openly censured in the USSR.