Comic Books







Noah Berlatsky analyzes how pop culture (movies, comic books, television) makes torture “ok.” He writes that “Torture, pop culture says, is effective, fun, and even funny.” Noah Berlatsky writes at Splice Today: In Frank…








via chycho
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One of the major players in the realm of comic books has been the United Kingdom, and one of its most important periods occurred in the late 1980’s and early 1990’s with the British Invasion of American comics. This period saw the influx of British creators, most of whom initially worked for DC Comics, creators such as Neil Gaiman, Alan Moore, Warren Ellis, Simon Bisley, Dave McKean, Peter Milligan, and Scottish writer Grant Morrison.

It is Morrison and his work that we will be sampling in this post, specifically, the brilliant and explosive introduction of Mr. Nobody – “the spirit of the twenty-first century” – which occurred in Doom Patrol #26. The issue was published in 1989 during the beginning stages of Morrison’s epic run in the series (#19-63).






Alan Moore interviews are always worth reading. Here he discusses psychogeography as it applies to various of his works. via Reasons I Do Not Dance: What exactly, in your not unlimited understanding,…


Alejandro Jodorowsky is one of my favorite artists of all time. One reason why I love this guy’s work so much is that he does it all: writer, director, actor, mime, magician, comic book author, tarot card expert. He’s completely brilliant and hilarious, and both of those traits are present in his films – which I highly recommend despite the fact that Jodo certainly isn’t for everybody.

Readers of this blog are no doubt familiar with Jodorowsky’s Western cum vision quest El Topo, but, for me, the director reaches his cinematic summit – so far – at the top of The Holy Mountain. Without question one of the most bizarre and visually stunning films anyone will ever see, critics who dismiss the plot as a mish-mash of New Age flotsam can be forgiven for not recognizing the gold Jodorowsky hid in the excrement.

Check out one of The Holy Mountain’s most famous scenes (NSFW):






December 3rd 1967: An Alien Encounter

I got an early Christmas present last year: a package from Los Angeles cartoonist Mike Jasorka. Inside was the fruit of his efforts and my $20 Kickstarter pledge: December 3rd 1967: An Alien Encounter, a graphic novelisation of the strange case of Herbert Schirmer, a Nebraska state patrolman who claims to have been taken aboard an alien spacecraft.

I commend it to all wrong-thinking disinfonauts everywhere, for several reasons, but mostly aesthetic. The black and white panels occasionally splashed with dramatic colour ensures that the 50+ page book is a visually compelling artefact.

It also arrives with a CD, a word for word adaptation from the found audio of Schirmer at a 1970’s UFO conference in Florida, making it simultaneously an aural event (surely a first for a graphic novel, but fanboys will no doubt correct me). Finally, there’s the story: of Schirmer’s childhood upbringing that leads him to become a police officer, what happened that very night on duty and why even after countless ridicule, he stuck next to the unbelievable truth. Herbert’s heart-felt story speaks of his childhood upbringing that leads him to become a police officer, what happened that very night on duty and why even after countless ridicule, he stuck next to the unbelievable truth …