Tag Archives | Comics
Who Was Jeffrey Catherine Jones?
Frank Frazetta once called Jones the “greatest living painter.”
Born in 1944, Jones first published a comic book in 1965 (Blazing Combat #1). Jones quickly grew to popularity within the art community and went on to paint “covers for books, including the Ace paperback editions of Fritz Leiber’s Fafhrd and the Gray Mouser series and Andre Norton’s Postmarked the Stars, The Zero Stone, Uncharted Stars and many others. For a period during the early 1970s she also contributed illustrations to Ted White’s Fantastic. Jones drew many covers and short stories for a variety of comics publishers including DC Comics, Skywald Publications, and Warren but generally avoided the superhero genre.”
In 1998, Jones underwent hormone therapy. According to Steven Ringgenberg at The Comics Journal, “It’s now known from the artist’s personal writings that she had felt conflicted about her gender since childhood, always feeling a greater affinity for the fair sex than for her own maleness.… Read the rest
Without a doubt, if you were to ask any comic book aficionado to put together a top five comic book creators list, Alan Moore would be in every list. Some even consider him to be the greatest comic book writer of all time.
“When waiting for a train at London’s Victoria Station in 1984, Gaiman noticed a copy of Swamp Thing written by Alan Moore, and carefully read it. Moore’s fresh and vigorous approach to comics had such an impact on Gaiman that he would later write; ‘that was the final straw, what was left of my resistance crumbled. I proceeded to make regular and frequent visits to London’s Forbidden Planet shop to buy comics’.” – Neil Gaiman: Journalism, early writings, and literary influences
Neil Gaiman – 3 books that have changed my life
… Read the rest
Barry Ween is a fictional “10-year-old boy who secretly possesses the most powerful intellect on Earth”. His escapades are brilliantly depicted by Judd Winick in the pages of “The Adventures of Barry Ween, Boy Genius”.
Barry is a genius, and we’re not talking about the regular Einstein type of genius, or beyond belief Tesla genius, we’re talking about 350 I.Q. “by far the smartest organism on the planet” genius. We’re talking about “self-awareness-in-the-womb-smart” (click images to enlarge).
Being the smartest creature to ever walk this earth, he realizes early on that for his safety and the safety of those that he loves, he would have to remain hidden. After all, we all know what humanity is capable of once fear of the incomprehensible and the unknown takes hold.
His first few years were long and arduous but he withstood them, and at the age of 10 he acquired enough freedom to explore the limits of science and understanding, albeit, still in secret.
From FC Student Blog:
… Read the rest
In his book, Making Comics, Scott McCloud created a chart categorizing artists according to four intentions — what artists are most interested in, in creating art. His categories are:
- Formalist — The Formalist is interested in examining the boundaries of an art form, stretching them, exploring what the form is capable of. The Formalist is interested in experimenting, turning the form upside-down and inside-out, moving in new, bold, untried directions, inventing and innovating. Formalists are the cutting edge, the avant-garde, the ones willing to break tradition and established ways. Strict narrative or craft is not as important as trying something new and unexpected, playing with and breaking traditional concepts, getting to the heart of understanding what art itself is.
One of the major players in the realm of comic books has been the United Kingdom, and one of its most important periods occurred in the late 1980’s and early 1990’s with the British Invasion of American comics. This period saw the influx of British creators, most of whom initially worked for DC Comics, creators such as Neil Gaiman, Alan Moore, Warren Ellis, Simon Bisley, Dave McKean, Peter Milligan, and Scottish writer Grant Morrison. It is Morrison and his work that we will be sampling in this post, specifically, the brilliant and explosive introduction of Mr. Nobody - “the spirit of the twenty-first century” – which occurred in Doom Patrol #26. The issue was published in 1989 during the beginning stages of Morrison’s epic run in the series (#19-63).
… Read the rest
I. Introduction to Inverted Totalitarianism
As Chris Hedges has pointed out on numerous occasions, referring to Sheldon Wolin’s work in ‘Democracy Incorporated’ (article, book), the system that best describes the ideology that the government of the United States functions as is inverted totalitarianism. In his book “Days of Destruction, Days of Revolt”, which Hedges co-authored with Joe Sacco, he describes this system as:
“The political philosopher Sheldon Wolin uses the term inverted totalitarianism in his book Democracy Incorporated to describe our political system. In inverted totalitarianism, the sophisticated technologies of corporate control, intimidation, and mass manipulation, which far surpass those employed by previous totalitarian states, are effectively masked by the glitter, noise, and abundance of a consumer society. Political participation and civil liberties are gradually surrendered. Corporations, hiding behind this smokescreen, devour us from the inside out….
“Corporations, who hire attractive and eloquent spokespeople like Barack Obama, control the uses of science, technology, education, and mass communication….
In an alternate universe, the stamps used to mail your rent check or a holiday card to relatives feature scenes of erotic domination rather than the national flag or first president. That alternate universe is called Kyrgyzstan. Vintage Sleaze was pleased to note stamps issued by the former Soviet republic featuring the work of mid-20th-century S&M-themed adult comics artist Eric Stanton:
In recognition of endless wars (2) and imperial presidencies, executive salary bonuses, maximizing shareholder value, and banking profits, in recognition of profits made from selling weapons of mass destruction, waging war, and propagating fear, and in recognition of big oil (2, 3) and profiting from scarcity, let’s remind ourselves who actually benefits from war by taking a look at a couple of pages from one of the greatest comic book series ever created, “The Savage Sword Of Conan”.
Below you will find panels from page 29 and 30 of the August 1983 issue of The Savage Sword Of Conan #91 (click images to show full pages and enlarge):
The story so far …
- Conan and his mercenary army have won another victory and have dispatched their fastest rider to carry the news to King Ronal of Lapis L’harr, a Corinthian city-state engaged in protracted warfare with the adjacent city-state of Razalah B’qen:
In comic books, more often than not, the good guys win.… Read the rest