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In the immediate aftermath of last week’s appalling act of terror at Charleston’s Emanuel A.M.E. Church, Republican presidential candidates found themselves in a tight bind: how to acknowledge what everyone in the civilized world seems to understand—yes, the crime was racially motivated and, no, you can’t decry hate crimes and defend the Confederate flag—without giving offense to Tea Party voters in early primary states?
The subsequent discovery of the alleged shooter’s rambling, racist “manifesto,” along with photos of him brandishing a Confederate flag, either threw the GOP contenders a lifeline or further complicated the issue, depending on whom one asks.
As the United States revisits its enduring debate over the meaning of the Confederate flag, we also mark the centennial of its initial political resurgence.
Tag Archives | D.W. Griffith
On Preventing the Ceremonies of Dumb People in Hollywood From Being a Burden on Their Parent Companies or Country, and for Making Them Beneficial to the Public
“I am giving an account of what…ought…to be.”
― William Daniel Defoe, A Friendly Proposal for Foundlings and Bastard Children Moll Flanders
Much like the birth of Christ, historians of film rarely agree on when it happened: the birth of cinema, that is. Perhaps even more controversial, however, is the question of paternity. Who’s your daddy, indeed?
Francophiles will forever laud Méliès, Teutons will zealously campaign for Murnau, the Russians <3 Eisenstein and proud Americans some of D.W. Griffith’s first, err, exploits. And yet, no matter the geographic genesis of film, one fact about its origin remains clear across the national board: it was, in fact, a silent birth. #Scientology.
If radio had delivered the psychologically bewildering disembodied voice (i.e.… Read the rest