Tag Archives | Design

Secret City: Illegal Architecture of Taiwan

TaipeiMany cities in Asia proper, have captured the imaginations of authors, specifically science fiction writers, due in large part due to their disjointed, chaotic, and multi-layered nature. These cities have a tendency to map their histories, migration patterns, linguistic groups and associated economic levels onto the very architecture and design of the city. In Taipei much of the building is done illegally, in ‘secret’ places all around the city, particularly by rural migrants, artists and experimental architects. This has resulted in some very dynamic and cyber-punk worthy designs that further colour the fabric of Taipei. Via Web Urbanist:

Beyond the ‘official city’ of Taipei, where modernization and beautification efforts are glossing over the city’s natural and historical origins, there’s Instant City. Using Taipei’s conventional modern architecture as a platform and energy source, this network of illegal architecture attaches itself ‘like a parasite’ to create unsanctioned urban farms, night markets and other social gathering places.

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The Extreme Environment Love Hotel

0aaaCouple500Japanese erotic hotels famously offer themed fetish rooms that transport guests to the oddest of locations. Artist Ai Hasegawa hopes to go further by creating plans for an Extreme Environment Love Hotel with rooms that simulate physically impossible locales — are these the honeymoons of the future? She explains:

The Extreme Environment Love Hotel simulates impossible places to go such as an earth of three hundred million years ago, or the surface of Jupiter by manipulating invisible but ever-present environmental factors, for example atmospheric conditions and gravity.

How might our bodies change, struggle or even adapt with varying conditions around us? Recent figures speculate that around 10% of children are now conceived by In Vitro Fertilisation. The world around us and our reproductive technologies have given rise to new ideas of what sex is or could be and where it stands between our biologically-programmed needs and inclinations and our human fetishes and desires.

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Sifting the Rubble

Wang Shu

Wang Shu. Photo: Elekhh (CC)

A building, that uses historical rubble a main building component, is causing rumblings in the architecture community. What implications does this have on building a sustainable future? Via Inhabitat:

The 2012 Pritzker Prize was just announced this morning, and the winner is Wang Shu — the first Chinese architect to receive the honor. Wang Shu runs Amateur Architecture Studio with his wife Lu Wenyu out of Hangzhou and is also the head of the Architecture Department of the China Academy of Art.

Responsible for a number of large cultural and social projects in his native country, Wang Shu has become known for work that is “deeply rooted in its context and yet universal.” Some of Wang Shu’s most well known projects include the Library of Wenzheng College at Suzhou University, the Ningbo Contemporary Art Museum, the Ningbo History Museum, phase 1 and 2 of the Xingshan Campus of the China Academy of Art, and the Vertical Courtyard Apartments.

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The Therapeutic Singing House

To be unveiled in New Orleans — a home equipped with a drone synthesizer that produces pleasing tones reflecting the surroundings. I hope this architectural innovation catches on everywhere:

Demonstration of latest Quintron invention called THE SINGING HOUSE. This is an analog “drone synth” can be installed into any building in order to provide its inhabitants with a pleasing chord that is constantly changed by the weather. Preliminary studies have show that these soothing sounds can bring mental relaxation and healing to the modern home or institution. The music is actually played by the skies above. No two days sound the same.

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Strange Rooms And Devices Inside Scientology’s Super Power Building

Via the Village Voice, unbelievable renderings of the chambers to be used for testing, training, and sensory enhancement of Scientology adherents:

The Voice has obtained hundreds of new renderings of Scientology’s Super Power Building in Clearwater, Florida. L. Ron Hubbard devised the “Super Power Rundown” in 1978. He envisioned it as a series of counseling routines with the use of elaborate and futuristic platforms and machines. In 1998, Hubbard’s successor broke ground on a massive new building project, “Flag Mecca,” known commonly as the Super Power Building, where the new rundown would be housed. Thirteen years and $145 million in fundraising later, the building is thought to be largely completed, but it is still not open for business.

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A Nation Of Places Not Worth Caring About

The immersive ugliness of our everyday environments in America is entropy made visible. We can’t overestimate the amount of despair we are generating with places like this…the greatest misallocation of resources in the history of the world…there’s not enough Prozac in the world to make people feel okay about going down [these] blocks.”

In a classic TED talk, James Kunstler tears apart the architecture and public space design of post-World War II America, with pictorial examples of egregiously dismal cases, and explains why the suburbs are a sham:

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Giant Emocon Reflects The Mood Of The City

feelometerInstalled in Lindau Island, Germany, the Feel-o-meter sums up the populace’s collective consciousness. Pass by with a frown, and you could slightly dampen its smile. (You wouldn’t want to do that, would you?) Via Information Aesthetics:

Fuehlometer (Feel-o-meter) by Richard Wilhelmer, Julius von Bismarck, and Benjamin Maus is a light installation consisting of a giant smiley face that reflects the average mood of the people living in the city. The average emotional value is calculated through the computational analysis of the faces of people passing a camera located in a specific part of the city.

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The Evils Of A World Filled With Touchscreens

111103_TECH_many_ipadsAll signs point to our heading towards a future in which we will exist surrounded by software-enabled touchscreens. Why this could be a grave mistake, via Slate:

What touchscreens lack is something called affordance — an object’s built-in ability to tell you how it works. A doorknob affords turning. The button on a car stereo affords pushing. A touchscreen affords nothing. It relies on software for any affordance, which in turn relies on total immersion for the user.

What we want, apparently, is to surround ourselves with touchscreens of varying size—tiny ones in our pockets, medium-size models for our laps and dashboards, and massive versions for our walls. We want tomorrow’s vintage shops to be lined with identical, blank, anonymous slabs. We want things to be vessels for software, and nothing more. Immersion is a fantastic quality while flicking virtual birds at digital pigs in your smartphone. Immersion at 80 mph is less desirable.

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Psychedelic Art From Science Textbooks

50 Watts has a jaw-dropping collection of seemingly hallucinogen-inspired illustrations culled from 1970s science textbooks, revealing striking new ways of understanding biology, psychology, and sex ed concepts. School was truly trippy back then. Most of the art come from materials published by Communications Research Machines, including their titles Life and Heath, Psychology Today, and Developmental Psychology Today.

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How To Protect The Future From Our Nuclear Waste?

dangerPasta&Vinegar on a fascinating 10,000-year design conundrum: how to house our radioactive waste in such a way that the next 400 generations will understand the danger, and not try to tamper or remove the markers. One would assume that over that period, most of our civilization, language, symbols, and physical structures as we know them will cease to exist:

“Permanent Markers Implementation Plan” is a project initiated in 2004 by the U.S. Department of Energy in order to provide a permanent record which identifies the location of nuclear waste repository and its dangers.

This report described the task handled by one of the expert group made of an anthropologist, an astronomer, an archaeologist, an environmental designer, a linguist, and a materials scientist. The brief for them was basic:

“The site must be marked. Aside from the legal requirement, the site will be indelibly imprinted by the human activity associated with waste disposal.

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