Doomsday




Whether your think artificial intelligence is fact or fiction, the beginning of a brave new world or the end of this one, for many of Japan’s robot dog owners, doomsday has already…




via Providentia: The history of religious movements seems filled with examples of religious figures proudly proclaiming the imminent coming of God, along with redemption for the faithful and punishment for unbelievers. Many…






Hundreds were injured yesterday when what is estimated to be a ten-ton meteorite exploded over Chelyabinsk, a city in central Russia. People as far as 125 miles away reported seeing the meteorite’s long white tail as it hurtled toward Earth. The meteorite exploded before hitting the ground, shattered windows, triggered car alarms and sending chunks of flaming rock shooting across the sky.

At this time, Russian authorities say that radiation levels in the area are normal.

Scientists at the European Space Agency and the United States’ NASA state that the incident was not connected with 2012 DA14, a 125-foot asteroid estimated to pass within 5,000 miles of earth later today – an astronomical near miss.

NASA’s assertion that the two events are unconnected has to be taken on faith, but have you ever wondered if the government would even tell you if an asteroid impact was imminent? Knowledge of such an event would trigger worldwide chaos as the date of impact came closer. Rioting, hoarding, terrorism, random acts of nihilist violence,  and people abandoning their jobs to spend more time with their families would send society spiraling out of control. What would you do if you were the government and you knew that no matter what, a very large percentage of the population was going to die? Would it be responsible to tell the truth or better to let people continue on until that fateful day? What if you and your family had access to secret, below-ground government bunkers, and all you had to do was keep your mouth shut? Would you tell and jeopardize the survival of your loved ones?

I think we know the answers.


Scary daytime viewing from Montana’s KRTV:

Someone apparently hacked into the Emergency Alert System and announced on KRTV and the CW that “dead bodies are rising from their graves” in several Montana counties. This message did not originate from KRTV, and there is no emergency. Our engineers are investigating to determine what happened and if it affected other media outlets.



From art group Anti-Banality, the first segment of their new feature-length film Police Mortality. It was created by splicing together countless blockbuster action and cop movies, and tells the story lying underneath — a cop’s sudden existential crisis leads to the nation’s police turning on each other:

Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” It is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood.

In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.



The best thing to come out of rumors that the world would end this past week? A former furniture maker, Liu Qiyuan of the small village of Qiantun became obsessed with the possibility of a Mayan calendar apocalypse and was driven to build what you see below for his family. The fiberglass pods cost $48,000 each to create and are equipped with oxygen, seat belts, food, and supplies allowing 14 people to survive inside for at least two months. I foresee a future in which we all float through life in these:









The art group Anti-Banality Union has created a feature-length movie which is impossible to stop watching. Fifty Hollywood blockbusters portraying the spectacular obliteration of New York City were cut up and interwoven (somehow fitting together seamlessly), revealing the meta-narrative running through them all — the “death-drive on the part of capitalist culture”:

Unclear Holocaust is a feature-length autopsy of Hollywood’s New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics…We see the Cinema as it really is; an unequivocal annihilation, the auto-genocidal mass fantasy of a megalomaniacally depressed First World.