With the passing of 2012 – and all of us survivors still recovering from our obsidian knife wounds from December 21 – I wanted to take a moment and thank you all for the unbelievable patience and support that you’ve shown me here.
I’ve been a fan of the Disinformation Company for many years, and coming to work here has been both a dream come true and a huge responsibility. Preserving the Disinfo legacy while preparing for its future is a balancing act, and one that I cannot do without you. The community here has shown incredible grace and good humor as I work to find a good mix of controversial, entertaining and just plain odd content. You’ve been forgiving of my missteps and experiments (may we all remember with a mix of fear and amusement the last weeks of 2012 as The Era of the Midnight Video Onslaught), and in short, you’ve made me feel at home while I’ve learned the ropes.… Read the rest


It’s the 1980′s and a little boy is browsing his parents’ library. Nikola Tesla is a “Man out of Time.” The Illuminati are managing the stagecraft of history. Antiquated diagrams posit a hollow Earth, concealing its own internal sun and refugee Nazi army–and who built the pyramids, now?
James Mcbride, co-writer of Spike Lee’s ‘Red Hook Summer,’ has penned a pull-no-punches open letter to Hollywood, detailing some serious issues on race and representation in cinema, and what it means to be a storyteller in an overtly commercial studio system. Via 
Dalton Conley and Jacqueline Stevens make a pretty compelling argument in a recent
From Nick Pell at 
