electronic music



algoraveCan all digitally-created music really just be thought of as humans manipulating algorithms? If so, why not get to the heart of things? A burgeoning, extremely nerdy subculture called algorave revolves around generating, altering, and combining electronic sound loops via on-the-spot coding, using languages such as SuperCollider, with the coding projected on a large screen. Could this be the worst new form of music, or the most honest? Wikipedia writes:

An algorave is an event where people dance to music generated from algorithms, often using live coding techniques. Algoraves can include a range of styles, including a complex form of minimal techno, and has been described as a meeting point of hacker philosophy, geek culture, and clubbing.

The first self-proclaimed “algorave” was held as a warmup concert for the SuperCollider Symposium 2012. The first North American algorave took place in Hamilton, Ontario during the artcrawl of 9 August 2013.


Back in 1999 when The Disinformation Company was just a couple of years old, we released a compilation CD called “Best Of Moog: Electronic Pop Hits From The 60’s & 70’s.” The…



minajThis clip of pioneering German electronic composer Karlheinz Stockhausen might answer some of the questions one has after watching this year’s Grammys. Does contemporary music still have the potential of touching basic human concerns such as love and hate, can it live, is it really valid art? Stockhausen’s answer: the synthesized, auto-tuned music of today reflects a form of evolution as our best and brightest transform to a post-human, or “supra-human” state, got it?