Tag Archives | experimental music

Strange Vibes from the Levant

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Asma Ghanem writes at Reorient:

Six musicians on their work and the state of experimental music in the Arab world

My eyes filled with tears during a classical music concert in Ramallah performed by children the same age as me. After several failed attempts at trying to convince my parents to allow me to study music, I felt empty and helpless. Musical education was very expensive for my parents, being Palestinian refugees who had constantly been on the move from Lebanon to Syria and Palestine. It was painful for me to watch the serene eyes of those children performing so calmly and proudly, without a care in the world.

My family’s inability to provide such luxuries was a turning point for me, which prompted me to begin thinking about the production of music and its commercial aspects. It was also at that time that I started developing an interest in experimental music, and questioned not only music, but also sound in general.

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Cult of Zir and Ogo Eion Talk About Their New Album

sonic-terror

Cult of Zir and Ogo Eion talk about their new album Shortwave Ministry for Theatre Noir. Via Technoccult:

Ogo: I brought my “trademark” shortwave radio, which i scored at a thrift store some ten years ago maybe – it’s seen much use since then. It’s a Sony FM/AM multi-band receiver ICF-5900W. It never breaks and keep battery charge for years. And I’ve always been quite impressed by the variety of sounds I can conjure up from this little beast. […]

Is the shortwave radio modified in any way?

Ogo: It’s not circuit bent, no. Though it’s seen some wear over the years that has seemed to affect it.

Nolon: I ran it through the same filters and delays and reverbs as everything else. There was some ham radio christian we tapped that night a few times. Something about homosexuality, a real bigot.

Ogo: Right. Mostly I ride those “sweet spots” between channels – static frequency sweeps and whatnot.

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Pan Sonic’s Mika Vainio Interview

Pan SonicVia Technoccult:

Klint Finley: I guess I’ll start with, just to get it out of the way, the announcement has been put out that Pan Sonic has split up, so was this an amicable split?

Mika Vainio: Well, let’s say that we don’t have any plans to start again, but maybe we do one day. It’s still open, but I don’t think, at least for a couple years, we will not do it.

So are you willing to talk anymore about the reasons behind the split or do you want to leave it at that?

Yeah, why not. There has been no argument or bad spirit or anything like that. It’s just that after, we’ve been doing this for over 15 years, it’s time to stop and concentrate on our own solo things. […]

The record business has been going through a lot of transitions lately through music piracy through the Internet and there’s also the economic crash that makes it harder for people who might want to pay for music to actually pay for music.

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