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Enjoy a chilled-out Sunday with a short dose of avant-garde fungal strangeness. I HATE THIS FILM muses:

Film by Vic Atkinson, who has proven that to make a dope movie, all you need is a damp forest of fungi and Chappell’s TVMusic 101-104 on wax. Throw in a few bugs and dead leaves for added ambience, and you’ve got yourself an instant classic.





Legendary surrealist filmmaker, artist, magician, and tarot card expert Alejandro Jodorowsky reveals how the tarot allows the nature of reality to unfold:

If you use the tarot to see the future, you become a conman, a charlatan. For me the tarot was something more serious. It was a deep psychological search.

When you see the tarot, you see that chance exists, that synchronicity exists, everything is linked. When you deeply enter that dimension that i call the dance of reality the world dances around you and gives you what you seek.

We need something to help us pass on to another dimension. The creation of an androgynous thought that leads to a superior mind. When you are linked to everyone there are no enemies.




Filmmaker Andrew Norman Wilson‘s eerie short Workers Leaving the Googleplex reveals his brief time employed as a temp in video production at Google’s headquarters and how things went terribly wrong.

Google fancies itself as creating the future, and its system of separating workers into white, red, green, and yellow badge classes reads like a preview of how society will be organized in some dystopian future.

Wilson was fired and threatened with legal action after Google campus security caught him interacting with lowly yellow badge workers, who are not granted the privileges of red and white badge holders, such as riding Google bikes, eating free gourmet Google meals, setting foot anywhere else on Google’s campus, or even talking to employees with other badge colors, many of whom do not know that the yellow badge class exists:



david cronenbergDavid Cronenberg has a new multimedia project involving a fictional mobile body-add-on gadget called “Personal On-Demand,” or POD for short, ostensibly created by biotech startup firm BODY/MIND/CHANGE. Are you ready for your fitting?

MEET POD (PERSONAL ON-DEMAND), THE ULTIMATE RECOMMENDATION ENGINE. POD IS AN EMOTIONAL SENSORY LEARNING AND DATA-MINING ORGANISM. WE’VE REDESIGNED THE RECOMMENDATION ENGINE TO MAKE DISCOVERING THE THINGS YOU NEED, LOVE OR DESIRE EFFORTLESS. POD GROWS WITH YOU TO BECOME AN INTUITIVE COMPANION, FULFILLING YOUR DEEPEST DESIRES ON DEMAND.





Avant-garde filmmaker Pramod Pati created luscious, poetic, beautifully-scored short films on behalf of the Indian government (sometimes with social-educational purposes such as promoting family planning). Highlights include Abid, below, and 1968’s symbolism-rich Explorer. The Seventh Art provides some background:

Pramod Pati, who died an untimely death at the age of 42, worked for the Films Division of the Ministry of Information and Broadcasting in India, which commissioned feature-length and short documentaries as well as short animation films for the purposes of cultural archiving and nationwide information dissemination. The documentaries generally consisted of profiles of artistes practicing traditional forms, educational films for adults, and simple moral tales and basic literacy courses for children.

Although there was an obvious restriction on the type of subjects filmmakers can choose, the Films Division, like the Kanun in Iran, was free from commercial concerns and thus presented a higher scope for formal experimentation for directors.