Tag Archives | film
Don Cherry, trumpet, illustrating an Andre Breton poem in various Paris locations. Breton poem read by Anthony Braxton.
Produced and distributed by a free-market group based in San Diego called World Research, Inc., the 40-minute film is set in the year 2003 and gives viewers a look at two vastly different worlds. On Earth, a world government has formed and everything is micromanaged to death, killing private enterprise. But in space, there’s true hope for freedom. Viewers get an interesting peek into what daily life is like when a Libra resident shows off her Abacus computer, which is a bit like Siri. The film’s vision for 2003 isn’t very pleasant — at least for those left on Earth. The people of Libra seem happy, while those on Earth cope with the world government’s dystopian top-down management of resources.
We are facing a flood of powerful new technologies that expand the potential for centralized monitoring, an executive branch aggressively seeking new powers to spy on citizens, a docile Congress and courts, as well as a cadre of mega-corporations that are willing to become extensions of the surveillance state. We confront the possibility of a dark future where our every move, our every transaction, our every communication is recorded, compiled, and stored away, ready for access by the authorities whenever they want.
I had a dream that I inhabited a construction supply warehouse and was picking up materials for my new cosmology. I picked up understanding, gnosis and some new pipes for a free flowing system connected to the logos. I awoke from the metaphor to realize that this dream told me that my worldview, and even who I AM, creates the landscape of my reality. “Blame it on last night’s whiskey,” I said and returned to sleep, but the same idea came again in another way: This time, I was in an art studio that my present self does not yet own. Here I made with paint and canvas my own cosmos. Where previously it was a construct, now it was a work of art.
In Alan Moore’s first film, Jimmy’s End, Jimmy visits an unexpected place in which the big show of creation happens, performed by the great “I AM”.… Read the rest
Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” It is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood. In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.
Are you a Futurist? Are you assured that we are going to burn ourselves out as a species in the next century? Are you an artist set on using these tools we have while we have the time, or an optimist set to create an army of Nanobots (or Nanobats, if you live in Gotham) that will cure cancer?
There is room for all these perspectives and more at this years Extreme Futurist Festival (XFF for short) being held in Los Angeles.
And December 21 and 22 2012! What a time for it. End of the world, man!
This even will feature
- Speakers (Randal A. Koene, Dr. Aubrey de Grey, Dr. Ben Goertzel, …)
- Music (Lydia Lunch, Negativland, …)
- Art (Kevin Mack, Shayna Yates, James Curcio, …)
- Films (H+ the Digital Series, Surf Now Apocalypse Later, Tragos, …)
- Vendors (Grindhouse Wetwares, Re/Search Publications, Mythos Media including the recent Words of Traitors and Rachel Haywire’s Acidexia, …)
- …and, you guessed it, a great deal more.
Unclear Holocaust is a feature-length autopsy of Hollywood's New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics...We see the Cinema as it really is; an unequivocal annihilation, the auto-genocidal mass fantasy of a megalomaniacally depressed First World.