Tag Archives | film

Alan Moore’s New Film, ‘Jimmy’s End’ and the IS-ness of Being Who I AM

I feel like a virgin walking into a cosmological gang-bang. My world view has been destroyed to make way for a new construct.

I had a dream that I inhabited a construction supply warehouse and was picking up materials for my new cosmology. I picked up understanding, gnosis and some new pipes for a free flowing system connected to the logos. I awoke from the metaphor to realize that this dream told me that my worldview, and even who I AM, creates the landscape of my reality. “Blame it on last night’s whiskey,” I said and returned to sleep, but the same idea came again in another way: This time, I was in an art studio that my present self does not yet own. Here I made with paint and canvas my own cosmos. Where previously it was a construct, now it was a work of art.

In Alan Moore’s first film, Jimmy’s End, Jimmy visits an unexpected place in which the big show of creation happens, performed by the great “I AM”.… Read the rest

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Police Mortality: The Movie

From art group Anti-Banality, the first segment of their new feature-length film Police Mortality. It was created by splicing together countless blockbuster action and cop movies, and tells the story lying underneath — a cop's sudden existential crisis leads to the nation's police turning on each other:
Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” It is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood. In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.
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Extreme Futurist Festival 2012 (XFF)

XFF2012 PROMO from EXTREME FUTURIST FESTIVAL on Vimeo.

Are you a Futurist? Are you assured that we are going to burn ourselves out as a species in the next century? Are you an artist set on using these tools we have while we have the time, or an optimist set to create an army of Nanobots (or Nanobats, if you live in Gotham) that will cure cancer?

There is room for all these perspectives and more at this years Extreme Futurist Festival (XFF for short) being held in Los Angeles.

Extreme Immersion!And December 21 and 22 2012! What a time for it. End of the world, man!

This even will feature

  •  Speakers (Randal A. Koene, Dr. Aubrey de Grey, Dr. Ben Goertzel, …)
  • Music (Lydia Lunch, Negativland, …)
  • Art (Kevin Mack, Shayna Yates, James Curcio, …)
  • Films (H+ the Digital Series, Surf Now Apocalypse Later, Tragos, …)
  • Vendors (Grindhouse Wetwares, Re/Search Publications, Mythos Media including the recent Words of Traitors and Rachel Haywire’s Acidexia, …)
  • …and, you guessed it, a great deal more.
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Unclear Holocaust: The Ultimate 9/11 Movie

The art group Anti-Banality Union has created a feature-length movie which is impossible to stop watching. Fifty Hollywood blockbusters portraying the spectacular obliteration of New York City were cut up and interwoven (somehow fitting together seamlessly), revealing the meta-narrative running through them all -- the "death-drive on the part of capitalist culture":
Unclear Holocaust is a feature-length autopsy of Hollywood's New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics...We see the Cinema as it really is; an unequivocal annihilation, the auto-genocidal mass fantasy of a megalomaniacally depressed First World.  
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Groups Planning Worldwide ‘Innocence Of Muslims’ Screening Tour

The worst idea ever, or the best idea ever? Could the Innocence of Muslims be so awful that it’s good? The Atlantic Wire writes:

For the most part, the West has been spared the kind of turbulent protests rocking the Muslim world in recent days, but that soon could change as anti-Islam groups threaten to screen the film Innocence of Muslims in the U.S., Canada and Germany. In a strange jumble of events, the provocative idea appears to have originated from the German far-right political party Pro Deutschland, assisted by Florida pastor Terry Jones and taken up by a Canadian Hindu advocacy group, in a move that will likely test the respective countries’ commitment to freedom of speech.

On Tuesday…the Pro Deutschland party announced plans to screen the incendiary film in a Muslim neighborhood in Berlin later this year. “We plan to show the trailer of the film at a public screening in a mainly Muslim area of Berlin on the first or second weekend of November and then, in a nearby cinema or suitable venue, screen the entire movie,” said Lars Seidensticker, chairman of the party’s state faction in Berlin.

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The Visual Music Of Jordan Belson

The Center for Visual Music on under-seen, under-known pioneer Jordan Belson, who sought to create films that could convey formerly unrepresentable ideas and be experienced like music, via psychedelic, kaleidoscopic light manipulation performances. Belson's work has been added to the Library of Congress, but there has been general difficulty in preserving it:
Between 1957 and 1959, Belson collaborated with composer Henry Jacobs on the historic Vortex Concerts, which combined electronic music with moving visual abstractions projected on the dome of Morrison Planetarium in San Francisco (and also the Brussels World Fair in 1958). These pioneer Light Shows used filmed imagery as well as multiple projections of geometric and polymorphous light phenomena. The Vortex experience inspired Belson to abandon traditional painting and animation in favor of creating visual phenomena in something like real time, by live manipulation of pure light. Many of the films share certain images which Belson regards as "hieroglyphic-ideographic" visual units that express complex ideation not easily stated in verbal terms.
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The First Feminist Film

In the mood for a lost landmark? The Smiling Madame Beudet, from 1922, may be the prototype of feminist cinema. Directed by Germaine Dulac, the lone female figure among the notable French avant-garde filmmakers of the 1920s, it's an impressionistic, surrealist, silent tale of a woman's psychological imprisonment. Her primary source of release is playing her piano, to which her husband holds the keys. Futher explanation available at The House of Mirth and Movies:
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Vintage Ads Warning Against Recorded Music

After Hollywood began producing films with soundtrack music, a publicity campaign foretold that recorded (“canned”) music, symbolized by hostile robots, would choke the art, color, and humanity out of society. Scoff if you will…but there’s something magical about a live band accompanying a film. Via Paleofuture:

After the release of The Jazz Singer in 1927, thanks to synchronized sound, the use of live musicians was unnecessary. In 1930 the American Federation of Musicians formed a new organization called the Music Defense League and launched a scathing ad campaign to fight the advance of this terrible menace known as recorded sound.

robots

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