Tag Archives | Filmmaking
Emanuella Grinberg writes on CNN:
Here’s the fantasy: A half-naked woman lies across a couch, lips pouty and cleavage prominent as her sultry gaze implores you to buy this bottle of perfume.
The reality: Women make up 51% of the United States yet only 17% of seats in the House of Representatives. They’re 3% of Fortune 500 CEOs and 7% of directors in the top 250 grossing films.
What’s the connection? We live in a sexualized society where the gap between fantasy and reality is vast and harmful, director and activist Jennifer Siebel-Newsom says. “Women are aspiring to do great things in leadership, yet the glass ceiling is still there because of the way media depict women,” Siebel-Newsom said. “It influences our culture and dictates our gender norms and values.”
Siebel-Newsom’s documentary, Miss Representation, is the latest cinematic foray in the movement to challenge portrayals of beauty in “the media,” a term used to describe all forms of mass communication, from the internet, TV, film, magazines, radio and advertising …
Read More: CNN
On Preventing the Ceremonies of Dumb People in Hollywood From Being a Burden on Their Parent Companies or Country, and for Making Them Beneficial to the Public
“I am giving an account of what…ought…to be.”
― William Daniel Defoe, A Friendly Proposal for Foundlings and Bastard Children Moll Flanders
Much like the birth of Christ, historians of film rarely agree on when it happened: the birth of cinema, that is. Perhaps even more controversial, however, is the question of paternity. Who’s your daddy, indeed?
Francophiles will forever laud Méliès, Teutons will zealously campaign for Murnau, the Russians <3 Eisenstein and proud Americans some of D.W. Griffith’s first, err, exploits. And yet, no matter the geographic genesis of film, one fact about its origin remains clear across the national board: it was, in fact, a silent birth. #Scientology.
If radio had delivered the psychologically bewildering disembodied voice (i.e.… Read the rest
From GQ, Michael Idov visits the cult-like set of the Ukrainian film Dau — an enclosed bubble where thousands of actors have been living the lives of their characters 24 hours a day, ever since production began in 2006, using Soviet passports and money, in a world that is exactly as things were in the 1950s, while their real lives recede into the past:
… Read the rest
Five years ago, a relatively unknown (and unhinged) director began one of the wildest experiments in film history. Armed with total creative control, he invaded a Ukrainian city, marshaled a cast of thousands and thousands, and constructed a totalitarian society in which the cameras are always rolling and the actors never go home.
The rumors started seeping out of Ukraine about three years ago: A young Russian film director has holed up on the outskirts of Kharkov, a town of 1.4 million in the country’s east, making…something.
This 1896 Lumière Brothers film captures a performance of Loïe Fuller’s “Serpentine Dance.” No, there was no LSD in the 1890′s, but yes, there were colorized films. In the technique used above, each frame was individually hand-tinted using stencils and colored dyes. It was a laborious, manual process, and it was first employed to recreate Loïe Fuller’s stage magic; acclaimed for its early use of chromatic theatrical lights that illuminated the dancer’s flowing white silk...
Strange Factories is an immersive feature film that tells the story of a world haunted by a phantasmagoric fiction. A unique and powerful project that fuses cinema and theatre within a dreamlike environment to create an experience like no other.
There’s nothing funny about Palin or her influence on our democracy, but together we can use satire to make an impact and undermine her aura of authenticity and altruism. Satire is an effective tool to take the conservative opposition's perceived strengths and use it against them, which is what we’re doing here with Palin’s movie.Submit what you think Palin has left out at palinundefeated.com and you could win her bobblehead.
What a sitcom pilot it would have made. Via Parapolitical:
A post on the Washington Post’s defunct blog “Spy Talk” from May of 2010 detailed the CIA’s plans to produce fake Osama bin Laden videos.
Yesterday, the BBC reported on neighbors of the alleged Bin Laden compound in Abbottabad expressing skepticism as to the authenticity of videos released by the White House purporting to show Osama bin Laden watching television.
In need of a massive crowd of people, but don’t have thousands of adoring followers at your disposal? Why not go with Inflatable Crowd? The company rents out blow-up versions of giant masses of humanity, for use in films, political rallies, or other needs. When decked out in clothing, wigs, and masks and viewed from a distance, the blow-up denizens are nearly indistinguishable from the real thing, and are far cheaper than paying large numbers of extras. Their Flickr is pretty disturbing.
The Inflatable Crowd Company was created for SEABISCUIT in 2002. Since then, our Inflatable Crowds have been seen (but not noticed) in over 80 feature films & many TV shows & commercials.