Tag Archives | Geopolitics & Globalization

A Disinformation Compendium: The Wonderful Nature and Art of Angels, Devils, Men, Specters

P. Gasparis Schotti, regis curtani … Physica curiosa, sive, Mirabilia naturæ et artis libris XII. comprehensa : quibus pleraq[ue], quæ de angelis, dæmonibus, hominibus, spectris, energumenis, monstris, portentis, animalibus, meteoris, &c. rara, arcana, curiosaq[ue] circumferuntur, ad veritatis trutinam expenduntur : variis ex historia ac philosophia petitis disquisitionibus excutiuntur, & innumeris exemplis illustrantur ..

translation:

The wonderful nature and the art of the books of 12 . included

which pleraq [ ue], that is of the angels, devils, men, specters , energumenis, monsters, wonders, animals, meteors , & c. a rare , mysterious, curiosaq [ue] in circulation, of the scales of truth to be expended, for the various things of the history of the sciences and philosophy and ask for the investigations and examined, and are illustrated by the example of countless …

Published 1662

Publisher Herbipoli : Sumptibus Johannis Andreæ Endteri & Wolfgangi Jun. hæredum, excudebat Jobus Hertz …

pgasparisschotti00scho_0013

 

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Nam’s Mission

137

Monday

4:15am:
I awake groggy from the weekend. And I want to call in sick. (ZzZzzzzzZZzzz.)

4:20am:
Ugh! I should work! (ZzzZZZzzz.)

4:25am:
Besides, the road might be a good distraction from my mental state. (ZZzzZZzzz.)

4:30am:
Okay! Okay! I’ll get up!

5:05am:
It’s a (now) rare foggy day in ‘ol San Francisco. I’m slogging up through the Citizen’s Cab lot and headed towards the office.

As I near, Sammy – the new office guy who’s taken over Kojak’s morning shift, passes me. He’s leaving the office with some new West African driver. They’re heading out to the lot … with a jump starter.

Note: Kojak has been moved to the afternoon office shift for some unknown reason. (Unknown to me, anyway.) This is how the cab biz works. Drivers, office workers; one day ya see ‘em. And the next, they’re gone.

Anyway, hmm.

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Ann Lewis GILF activist artist’s SHATTERING catharsis

They-dont-realize-we-are-seeds1

Ann Lewis (gilf) “They don’t realize we are seeds”, Mixed Media

Joseph Gross Gallery is pleased to present SHATTERING, a solo exhibition of new work by Ann Lewis, also known as gilf!,

Opening Reception:
Thursday, May 7th | 6-9 PM
in Chelsea at 548 W 28th Street, suite 232.

Exhibition Dates: May 7-May 30, 2015 April 16, 2015 (New York, NY)

Based in Brooklyn, Ann Lewis (gilf!) is one of NYC’s most recognized and provocative female street and activist artists. She creates bold public work and gallery work that inspire thoughtfulness, while simultaneously motivating progressive change within communities. Earlier this year, the artist garnered national media attention when she installed a colossal banner resembling police caution tape that read ‘GENTRIFICATION IN PROGRESS’  at the former graffiti mecca 5 Pointz in Queens, New York. Since receiving her bachelor’s degree in Fine Art from the University of Wisconsin Madison, her work has been reviewed in Blouin Art Info, New York Magazine, New York Daily News, Brooklyn Street Art, Gothamist, and Wooster Collective.

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Luis Quiles’ Bleak Pop Culture Visions

The-I-Phonekkake

The-I-Phonekkake

Spanish artist Luis Quiles has a dark, disturbing vision of modern life, consumerism, social media and sexuality…but what’s easily the most shocking aspect of his bleak, erotically charged portrayal of our apathetic, narcissistic social decay is that it really isn’t that shocking at all to a culture numbed down by constant, instant corporate gratification. Swipe to the left:

From CSGlobe.com:

There are many ways to take a stand when it comes to various social issues.

Luis Quiles, a Spanish artist… [who] does this by drawing pretty controversial cartoons, has spent the last few years creating hundreds of powerful drawings, showing a disturbingly accurate vision of our world.

And while most of his work can be rather disturbing, it’s also very eye-opening.

 Slaving to social media, child trafficking, dirty politics.

The following…images might make you feel kind of dirty, but they will also definitely make you think.

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Kris Kuksi’s ‘False-Patriot Revolution’

Disinfo.com features this iconic work by an artist making some of the most influential and recognizable art of our time.

Kris Kuksi ‘False-Patriot Revolution’ was exhibited at the Mark Moore Gallery, Los Angeles

KRIS KUKSI – Antiquity in the Faux Nov 15 – Dec 20, 2014 | All photos by Kris Kuksi.

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Kris Kuksi’s ‘False-Patriot Revolution’

Kris Kuksi Interview with Disinformation

Disinfo: What can you tell us about the guillotine piece  ‘False-Patriot Revolution’?

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Undiscovered Outsider Artist Marian Spore Bush Goes To Auction

The works of Marian Spore Bush (1878-1946) will head to auction at Slotin Folk Art April 25 2015

at easel

Marian was the first female dentist in Bay City, MI. She left her practice and became a self-taught painter in NY in 1920 after the death of her mother. Marian became well-known using a special technique in which she used paint so thick that it seemed as much sculpture as painting. She claimed her large surrealistic works were inspired by long-dead artists who were communicating with her from “beyond the veil.” Her paintings seemed to forecast world events and conditions. In the early 1930s, she began to paint huge stark canvases in black and white, often depicting images of war. Edward Alden Jewell, art critic for the New York Times, said of her 1943 New York exhibition, “All the war paintings are symbolic in nature, if accepted as manifestations of psychic phenomena.” Bush even created an eerie example of this psychic phenomena with a painting entitled “New York City,” which depicts two airplanes and burning buildings amidst the skyscrapers of New York.Read the rest

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Cruz Won’t Say How Much Wife Makes at Goldman Sachs

Zaid Jilani Via Alternet:

Why Did Ted Cruz Refuse to Disclose How Much His Wife—a VP at Goldman Sachs—Makes?

Texas Republican Senator Ted Cruz has announced his intention to run for the presidency. He is widely expected to tap into the Tea Party base of the Republican party and posit himself as anti-establishment – in this case, an establishment that is too weak-kneed and too willing to compromise with the Democrats.

But a curious statement on Cruz’s financial disclosure shows that he may not be so opposed to the establishment he rails against. See, Cruz’s wife is a vice president at Goldman Sachs, the megabank so close to the powers in Washington that it is often jokingly referred to as “Government Sachs.” Because spousal income is shared, it is required for Members of Congress to list their spouse’s employement if it gives them over $1,000. They are not required to list the exact income their spouse receives, but they are certainly allowed to if they are willing to be that transparent.

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Philip K. Dick was right: we are becoming androids

stephane (CC BY 2.0)

stephane (CC BY 2.0)

Via Jesse Walker at Boing Boing:

In Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that inspired the film Blade Runner, a bounty hunter pursues a group of androids who have been posing as human beings. He is eventually arrested and accused of being an android himself. The officers bring him to what turns out to be a counterfeit police station run entirely by androids, not all of whom are aware that they aren’t human.

“What do you do,” one of the robocops asks him, “roam around killing people and telling yourself they’re androids?”

It’s a complicated situation. But then, androids play a complicated role in Dick’s fiction. On the most obvious level, they represent the inhuman and the mechanical: People have empathy and will, while robots are rigid and soulless. It’s a familiar division in science fiction, though some storytellers prefer to put other monsters in the androids’ place.

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War Is the New Normal

Moyan Brenn (CC BY 2.0)

Moyan Brenn (CC BY 2.0)

Via William J. Astore at TomDispatch:

It was launched immediately after the 9/11 attacks, when I was still in the military, and almost immediately became known as the Global War on Terror, or GWOT.  Pentagon insiders called it “the long war,” an open-ended, perhaps unending, conflict against nations and terror networks mainly of a radical Islamist bent.  It saw the revival of counterinsurgency doctrine, buried in the aftermath of defeat in Vietnam, and a reinterpretation of that disaster as well.  Over the years, its chief characteristic became ever clearer: a “Groundhog Day” kind of repetition.  Just when you thought it was over (Iraq, Afghanistan), just after victory (of a sort) was declared, it began again.

Now, as we find ourselves enmeshed in Iraq War 3.0, what better way to memorialize the post-9/11 American way of war than through repetition. 

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The loneliness of the long-distance drone pilot

Aaron Sankin via The Kernel:

Bruce Black had been preparing for this moment for most of his life.

Growing up, he always wanted to be a pilot. After graduating from New Mexico State University in 1984 with a degree in geology, Black was commissioned as an officer in the Air Force. He spent years as an instructor pilot before quitting to join the FBI, where he specialized in chasing down white-collar criminals, but the pull of military was too strong. He eventually found himself in the air above Afghanistan.

Black flew constantly. Once, in the spring of 2007, Black’s job was to serve as another set of eyes high above a firefight happening on the ground. An Army convoy had been patrolling near a site of a previous strike and gotten ambushed by Taliban fighters while returning to base. Black was acting as a crucial communications relay, sending life-and-death updates back and forth from the men and women on the ground to the Pentagon and a network of support staff located around the world through the military’s version of the Internet.

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