Tag Archives | Graffiti
According to the Napa Valley Register, a local woman is facing vandalism charges after chalking “9/11 Truth” on a public sidewalk:
Amy Larson readily admits writing “9/11 Truth” and “9/11 Truth Now” in chalk on the First Street sidewalk over Napa Creek.
“I just want people to think for themselves,” said Larson, 29. “I believe we’ve lost a lot of civil liberties since the 9/11 attacks. I’m really concerned about that.
“This is political free speech,” added Larson, who says the investigation into the terrorist attacks in New York City and Washington, D.C. should be reopened.
Her chalk writing — which occurred Sept. 11, the 11th anniversary of the terrorist attacks — got Larson arrested on suspicion of vandalism.
King City by Brandon Graham is a comic book about a guy named Joe and his cat Earthling in a far future metropolis run by spy gangs and evil sorcerers. It’s full of weird drugs, black magic, luchador masks and oddball humor. Via Technoccult:
I know you haven’t done graffiti in a long time, but did being involved in the graffiti scene in Seattle as a kid affect the way you perceive the urban environment? Do you think you’d draw cities the same way if you hadn’t been a part of that?
Yeah, I think it definitely affected how I think about cities, certainly the way you interact with your environment when you’re running around drawing on it. It’s nice to be able to fuck with the world around you – changing signs or just writing a response to an ad directly on the ad or having to draw something to fit on the surface you’re drawing on.
‘Social media’ conjures up thoughts of instant internet communication, global chatter over the web, computers, mobiles, tweets, posts etc. But there is a communication form that predates these modern tools – political street art. Street art can be dated back to ancient Egypt and throughout history it has been employed by those with a political point to make.
- Upcoming RSH show
- Raymond Salvadore Harmon about the significance of street art in a corporate culture
- Full Al Jazeera post
Born in the middle of nowhere Raymond Salvatore Harmon has wandered the earth, building things out of nothing, constructing realities from vague indifference and cultivating a prolonged distaste for both academia and any kind of manual labor.
RSH: “At all levels, ultimately graffiti is an act of cultural insurgency. It is a rebellion; against the norm, against society at large, against corporations, against the city or “government.” Graffiti is the act of changing the visual environment in the public space. It doesn’t matter if its a quickly scrawled tag or a well developed painting, it shouldn’t be there and it is.”
James Curcio: To begin with, I’d like to hear what you think the function of graffiti art is. Maybe it has a purpose, maybe it doesn’t, but even if you don’t intend a purpose, a social action like that has a reaction, it serves a function. They don’t necessarily all need to have the same function but I imagine when you really cut down to it there is a fairly small range of possibilities there.… Read the rest
The New York Times reports on “yarn bombing”, the softest, coziest form of urban vandalism. Leave your bike parked for too long and it could end up like the one at right, which has been chained for months in front of my friend’s store:
“Street art and graffiti are usually so male dominated,” Ms. Hemmons said. “Yarn bombing is more feminine. It’s like graffiti with grandma sweaters.”
Yarn bombing takes that most matronly craft (knitting) and that most maternal of gestures (wrapping something cold in a warm blanket) and transfers it to the concrete and steel wilds of the urban streetscape. Hydrants, lampposts, mailboxes, bicycles, cars — even objects as big as buses and bridges — have all been bombed in recent years, ever so softly and usually at night.
It is a global phenomenon, with yarn bombers taking their brightly colored fuzzy work to Europe, Asia and beyond. In Paris, a yarn culprit has filled sidewalk cracks with colorful knots of yarn.
Gabriele Steinhauser reports on a Banksy backlash in London for the Wall Street Journal:
In the predawn hours of Christmas morning, a 40-year-old shoe repairman who goes by the name Robbo squeezed his 6-foot-8-inch frame into a wet suit, tossed some spray cans into a plastic bag, and crossed Regent’s Canal on a red-and-blue air mattress.
Robbo, one of the lost pioneers of London’s 1980s graffiti scene, was emerging from a long retirement. He had a mission: to settle a score with the world-famous street artist Banksy, who, Robbo believes, had attacked his legacy.
The battle centers on a wall under a bridge on the canal in London’s Camden district. In the fall of 1985—just 15 years old but already a major player in London’s graffiti scene—Robbo announced his presence on that wall with eight tall block letters: ROBBO INC.
Kevin Kelly writes in Cinematical:
The infamous street artist Banksy premiered Exit Through The Gift Shop at Sundance last night, which was part of Sundance’s “Secret Spotlight” series. In short, we enjoyed it, but there’s a lot to say about it this movie, so check back later for our review. The title itself refers to Disneyland and Disney World’s engineered design of having guests exit attractions right through the gift shop, so as to better serve all of their merchandising needs.
Banksy, whose real identity is an extremely well-kept secret, may or may not have been at the screening last night (how would we even know?), but he did send a letter which Sundance Director of Programming John Cooper read aloud to the audience. Read on for the full text of the mysterious letter, keep your eyes peeled for our reviews … and for more mysterious street art to appear.
From Bitch Magazine:
Since 2006, the elusive guerrilla artist known as Princess Hijab has been subverting Parisian billboards, to a mixed reception. Her anonymity irritates her critics, many of whom denounce her as extremist and antifeminist; when she recently conceded, in the pages of a German newspaper, that she wasn’t a Muslim, it opened the floodgates to avid speculation in the blogosphere. If her claim of being a 21-year-old Muslim girl was only partially true, some wondered what the real message was behind her self-described “artistic jihad.” …