Grant Morrison





[Excerpted from the classic occult anthology Books of Lies: The Disinformation Guide to Magick and the Occult] POP MAGIC! is Magic! For the People. Pop Magic! is Naked Magic! Pop Magic! lifts the 7…






The ruthlessly eloquent condemnation of Grant Morrison, unleashed by Alan Moore earlier this year, still seems to be ringing through the mediasphere. Dangerous Minds sums it all up quite succinctly with “Alan…




via chycho
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One of the major players in the realm of comic books has been the United Kingdom, and one of its most important periods occurred in the late 1980’s and early 1990’s with the British Invasion of American comics. This period saw the influx of British creators, most of whom initially worked for DC Comics, creators such as Neil Gaiman, Alan Moore, Warren Ellis, Simon Bisley, Dave McKean, Peter Milligan, and Scottish writer Grant Morrison.

It is Morrison and his work that we will be sampling in this post, specifically, the brilliant and explosive introduction of Mr. Nobody – “the spirit of the twenty-first century” – which occurred in Doom Patrol #26. The issue was published in 1989 during the beginning stages of Morrison’s epic run in the series (#19-63).




Long-term friend of disinformation Bryan Young interviews comics legend Grant Morrison for Huffington Post: Grant Morrison killed Batman and Robin. Batman came back, but it seems as though this Robin is dead…


The story of how the work of Pam Grossman and her fantastic Phantasmaphile blog came to my attention quite predictably reeks of divine witchery. Despite being a practicing Occultist for 7 years, I somehow remained completely oblivious to the fact that one of the premier Occult book conventions in the world had been going down right beneath my nose in my hometown for four years. When I finally got hip, I remembered, then forgot, then remembered again at the last minute. Unfortunately, by that point I’d accidentally scheduled some family shit on the first day of the conference that I couldn’t easily duck out of. So I only caught day 2. It started at like 10 in the morning and I had to bus down, so I actually planned on skipping the first presentation as I’d stayed up late the night before. Through the course of that night, in some secret state of deranged hypnagogia, a voice came through the ether proclaiming: “they fucked up the order.”

I didn’t honestly know what this meant, but I woke up early the next morning at complete random. I was just lying there…


Who are “they”? Good question. Grey Aliens? Beings from the Sirius star system? Harvey the white rabbit? Fuck if I know. They appear to refract differently through the nervous system of everyone…




Thanks to Comics Alliance for this magick moment from Grant Morrison:

Just what the headline says, people. Grant Morrison performed this song during a recent event at Meltdown Comics in Los Angeles, thanks to the urging of My Chemical Romance frontman (and Umbrella Academy writer) Gerard Way. As Way explained, Morrison was given this song by the spirit of John Lennon, which Morrison communed with in a magic ritual while writing The Invisibles



Morrison at disinfo.con New York

Grant Morrison, comics legend and star of the legendary disinfo.con (view clip here), has conquered the world of comics but has yet to crack Hollywood. He’s now writing the screenplay for a live-action independent movie, ‘Sinatoro,’ with director Adam Egypt Mortimer. They tell MTV News‘ Rick Marshall about the project:

MTV NEWS: First off, tell me about the poster image you released for “Sinatoro” during Comic-Con — the one with the astronaut in the middle of the desert and the blackish cloud pouring out his faceplate. Given how little we know about the project, what are you hoping to convey about the film with that image?

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GRANT MORRISON: Well, I wanted it to say that we’re dealing with classic material, the American myth, the idea of the road movie and the notion that the road can take you anywhere and adventures can happen. That’s always been at the very basic root of the American imagination. We wanted to show that, and of course it had to be Route 66, which is the daddy of all roads. The idea of the astronaut was to kind of suggest that our character was somewhere that looks familiar, but it’s not really familiar — it’s a place that will be familiar to all of us one day — but he’s kind of an explorer in another land. There’s an actual astronaut in the story, so it kind refers to him a little, but it’s mostly the notion of being an alien on your own planet, and in your own environment…