The other day I got yet another question about the nature of sex magick on the Facebooks (friend me) and it occurred to me, you know, if I had a quick guide I could refer these people to that’d make my life easier, and hell, not everyone’s going to ask me questions on Facebook (or follow me on twitter @Thad_McKraken) so I might as well just get it out there. As a matter of fact, I actually directed this person to an article Jason Louv just did on the topic, but I’m not super comfortable with that either, mainly because I completely rejected a lot of the supposed fundamentals of that protocol regarding sigil design years ago. I didn’t choose magick, magick chose me (long story and you’ll have to wait for my book), and maybe a part of the reason magick chose me is because I’d revise the narrative on the subject of what sex magick is and what it does.… Read the rest
Tag Archives | Grant Morrison
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Grant Morrison killed Batman and Robin.
Batman came back, but it seems as though this Robin is dead for good. There have been a few different deaths of Batman’s greatest ally, but none have been as meaningful to one single writer as this one has. For those not following along, comics superstar Grant Morrison created Damian Wayne, the son of Bruce Wayne and Talia al’Ghul, who took to the role of Robin with arrogance and, in the end, humbly sacrificed himself as a hero.
By fans, he was hated at first, then loved, and now the tears over his death are many.
In honor of the passing of this most recent Robin, I was given the opportunity to talk to Grant Morrison about his landmark run with Batman and Robin.
Bryan Young: I’ve read that your original plan was to kill Damian after just four issues?
Who are “they”? Good question. Grey Aliens? Beings from the Sirius star system? Harvey the white rabbit? Fuck if I know. They appear to refract differently through the nervous system of everyone who comes into contact with them. I actually started referring to them as hynagogic light entities after they started showing up in my peripheral sleep states. The whole scene started crackling right after I began performing magick. I summoned them and they came, rebuilding the structure of my soul on a near nightly basis—which often felt like computer updates being rapidly downloaded into my psyche. Seriously, that’s how it went down from my perspective, I started doing magick and they started installing the sorcerer software pack into the very fiber of my being.
This went on for months before they finally finished. They showed me what they’d been working on and of course I didn’t understand it even remotely, but they seemed quite proud of themselves.… Read the rest
“Daddy and the Pie,” an alien encounter story from 1975 written by the late Bill DuBay (himself a student of the Kabbalah) and drawn by the late Alex Toth (himself an art god) […] is sublime in so many ways but is remarkable in that it serves as a classic initiation narrative and leaves off at a point before the narrator reaches his ascension to occult mastery, which is obliquely- and ominously- referred to in the final paragraph.
The story in question deals with an alien encounter, which has been given a distinctly occult edge to it. It is to be found, reprinted in full, at The Secret Sun.
Alan Moore (Watchmen, Promethea and V for Vendetta), Pat Mills (Judge Dredd, Slaine, ABC Warriors) and Grant Morrison (The Invisibles, Superman, Batman) are three of the main notable comic book writers who have revealed in interviews that they use magick as part of their lives.… Read the rest
Interesting takes on Grant Morrison’s own creations and the mainstream mythology he has worked in this interview in Playboy:
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Grant Morrison is the leading writer of superhero comic books in this universe—and possibly some others. At DC Comics he rebooted Justice League of America into a best-seller. At Marvel he did the same for X-Men. When his magnum opus, The Invisibles—a series about voodoo, time travel and the Marquis de Sade—was in danger of being canceled, he mobilized his fans in an unusual way: He exhorted them to participate in a worldwide magic spell by masturbating on Thanksgiving Day. Yes, he held a “wankathon.” It worked—or at least sales of The Invisibles improved.
If Morrison’s personal history includes magic, wild experiments with consciousness-tweaking substances and reported alien visitations, why does he keep writing about square-jawed guys with capes? “We’re running out of visions of the future except dystopias,” Morrison says.
Just what the headline says, people. Grant Morrison performed this song during a recent event at Meltdown Comics in Los Angeles, thanks to the urging of My Chemical Romance frontman (and Umbrella Academy writer) Gerard Way. As Way explained, Morrison was given this song by the spirit of John Lennon, which Morrison communed with in a magic ritual while writing The Invisibles...
Ha! Good post from Joe on Forbidden Planet
MTV NEWS: First off, tell me about the poster image you released for "Sinatoro" during Comic-Con — the one with the astronaut in the middle of the desert and the blackish cloud pouring out his faceplate. Given how little we know about the project, what are you hoping to convey about the film with that image?
GRANT MORRISON: Well, I wanted it to say that we're dealing with classic material, the American myth, the idea of the road movie and the notion that the road can take you anywhere and adventures can happen. That's always been at the very basic root of the American imagination. We wanted to show that, and of course it had to be Route 66, which is the daddy of all roads. The idea of the astronaut was to kind of suggest that our character was somewhere that looks familiar, but it's not really familiar — it's a place that will be familiar to all of us one day — but he's kind of an explorer in another land. There's an actual astronaut in the story, so it kind refers to him a little, but it's mostly the notion of being an alien on your own planet, and in your own environment...