Tag Archives | hip-hop
Watch as security guards swarm the stage, cutting short Lupe Fiasco’s set at Washington D.C.’s Hamilton Live Theater Sunday night. The rapper had been invited to headline the concert celebrating Obama’s second inauguration. The offending lyrics likely were: “Gaza Strip was getting bombed / Obama didn’t say shit / That’s why I ain’t vote for him / I’m part of the problem / My problem is I’m peaceful”
Check out “Ghost Dance”, the new single from First Nations hip hop artist Que Rock
[Man, that is one bad puppet - Editor]
A brilliant final touch from Adam Yauch, who inserted an integrity clause into his will to prevent his music from ever being co-opted — if only other cultural icons past had thought to do this. Via DNAinfo:
Late Beastie Boys member MCA made sure he would never be a corporate sellout — even in the afterlife. The pioneering rapper, whose real name is Adam Yauch, instructed in his will that his image, music and any art he created could not be used for advertising, saving himself from the fate of other deceased musicians whose faces and songs have become corporate shills.
It’s unclear whether Yauch’s will would prevent his bandmates from ever selling the music they wrote together to advertisers. Yauch’s lawyer and a spokesman for the Beastie Boys did not respond to requests for comment. Yauch died May 4 at the age of 47 from salivary cancer.
Corporations have regulalry enlisted deceased musicians, celebrities and historical figures in ads.
Solomon Comissiong, writing at Black Agenda Report:
It is undeniable that hip hop culture is one of the most powerful marketing tools America has seen in quite sometime. Had hip hop been around during the earlier part of the 20th century the unscrupulous public relations pioneer, Edward Bernays, would have probably also used it to promote the smoking of Viceroy Cigarettes to women. Various aspects of hip hop culture, mainly rap music, generate billions of dollars. However, who is generating this wealth, where is it going and at what cost?
“Their unfettered corporate feeding frenzy was similar to that of the European conquest of lands inhabited by people of color.”
Hip hop culture (rapping, djing, graffiti art, and breaking, etc.) was unequivocally created by youth of color in the Bronx during the early 1970s. Even though the origins of hip hop are entrenched in black and Latino communities throughout New York City it is currently pimped/used by large white owned corporations (media, record labels, etc.) to create astronomical bottom lines, reinforce capitalistic ideals, and adversely mass program black and brown youth.
One of the performance highlights at Coachella this past weekend was 41-year-old rapper Tupac, who walked around the stage, bantered with Snoop Dogg, sung some oldies, and terrified many. Is this soon to become a creepy new standard, with death no longer a barrier to entertainers’ personal appearances and touring careers? What will be your hologram’s greatest accomplishments?
Did “the Government” kill the Ol’ Dirty Bastard? From RockStarMartyr.net:
Ol’ Dirty Bastard’s slurring, incoherent “singin’ rappin’” rhymes hit the mic so hard, you have to wipe oozing spittle off your face after listening to his deranged tracks. He spoke the tough truth from the mean streets, delving into the dark crevices of ghetto crackhouses and bitch’s booties, coming out the other side covered in doodoo brown and flashing a steel grille grin all the while. Some believe that the big “G” government” took notice and were highly pissed about it.
Raised in the housing projects of Brooklyn, ODB broke out with the “world domination” scheme masterminded by his cousins, RZA and GZA, whose hip hop exploits are succinctly described by Dirty’s biographer, Jaime Lowe:
“The foundation of Wu-Tang is in its lore, its urban mythology, its appropriation of kung fu, chess, Buddhism, Islam, bible studies, cartoons, comics, Staten Island; anything they came across was woven into an intricate web of culture and identification and a constructed community that bordered on cult.… Read the rest
Hip-hop plays a central role in the revolts in Tunisia, Egypt, Algeria and Libya. Rap songs create an important platform for communication creating moral support and encouraging a spirit of resistance and revolt against the regime…