fracsGenius or madness? Surly acting hunk James Franco sold an intangible, undetectable work of conceptual art, created in collaboration with the design duo Praxis, to a Montreal collector for $10,000. Paste reports that the masterpiece is titled “Fresh Air” and is described as thus:

A unique piece, only this one is for sale. The air you are purchasing is like buying an endless tank of oxygen. No matter where you are, you always have the ability to take a breath of the most delicious, clean-smelling air that the earth can produce. Every breath you take gives you endless peace and health. This artwork is something to carry with you if you own it.

Because wherever you are, you can imagine yourself getting the most beautiful taste of air that is from the mountain tops or fields or from the ocean side; it is an endless supply.

According to his kids, anyway, Marky Mark smells of skunk. US Magazine reports that he’s given up smoking weed to save his kids from his skunky odor. The cynic in me says…

In their never-ending quest to tweak the sensibilities of anyone dumb enough to take them too seriously, the “hipsters” at VICE profile ’70s terrorists, from the Tupamaros to the Red Brigade: In…

Here’s a fairly insane marketing effort by Universal Pictures for their upcoming Scott Pilgrim vs. the World. Created in a 8-bit video game style, this “I-trailer” has commentaries, videos, making of footage and other stuff that usually is included in the DVD extras or commentary. (Click the image below for the trailer.)

Scott Pilgrim

Perhaps interactive trailers will become as commonplace as 3D has become for big budget films … coming off the buzz this film had a Comic Con, they certainly have kicked it up a notch.

Sharon Waxman, one of Hollywood’s insider journalists, proves it’s open season on Mel Gibson-bashing with her sarcastic comments on Herr Gibson’s search for interns in her WaxWords blog at The Wrap: It’s…

Jacques Vallee writes on BoingBoing: In our age of rational science the occult has never been more in demand: Angels and demons are popular, the Da Vinci code and lost symbols fascinate…

Hard to believe this only cost $500. Amazing. Posted on News Lite:

An unknown filmmaker from Uruguay has been given $30m by Hollywood studio bosses — to turn his $500 YouTube video of a giant robot invasion into a movie Would-be director Federico Alvarez, who runs a post-production visual effects house in Uruguay, filmed ‘Panic Attack’ with a budget of just $500 in his free time.

The five minute clip — which he then uploaded to YouTube — shows an invasion of Montevideo by giant robots and had special effects which could rival many big budget movies. Once online it got the attention of thousands of movie fans… and (not surprisingly) studio bosses who wanted to meet with Alvarez to talk about his movie.

The 30-year-old was whisked to LA where he was offered a $1 million directors fee and up to £30 million to make the film, by Mandate Pictures. The plans for the movie are said to have a “compelling original story” beyond big robots blowing stuff up.

Alvarez has also been put up in a new apartment, given a new car and will work with Spider-Man director Sam Raimi on developing the film. (Read More: News Lite)

When I first read this, I thought it was a joke. How do you have a sequel when you destroy the world? Let the post-apocalyptic fun begin.

Meredith Woerner writes on io9.com:

Just seconds after telling us that he makes disaster movies because he hates sequels, director Roland Emmerich spilled all about his new ABC TV series 2013, that picks up after the waves part. It sounds epic. Spoiler warning.

At the end of 2012 the cast members who have survived the massive floods and volcanic destruction on Earth head over to Africa, the new center of the world. What happens next has just been picked up by ABC as a television series that Emmerich is helping out with. We got the chance to find out more about his post-post-apocalypse series at the 2012 press day. (More on io9.com)

Here’s the 2012 trailer, yeah, I’d want to be alive after this happens…

I first came across the music video through advertisements on digg, I really didn’t know you could cross-promote American Idol with disaster porn. The song is called “Time for Miracles” … Oh, Hollywood mega-marketing machine, what will you think of next?

This has got to be the most ridiculous pop-disaster porn combo since the KISS video for “Lick It Up” (when they took off the makeup in the ’80s). Makes me laugh every time I see it:

GigerAlienWolfgang Dios writes in the National Post:

Three decades ago, a loathsome, worm-like parasite burst from the chest of a hapless spaceship crew member — an electrifying moment that made cinematic history, as well as the reputations of pretty well everyone concerned. Sigourney Weaver, playing beleaguered Warrant Officer Ellen Ripley, had previously best been known for a minor role in Woody Allen’s Annie Hall, and director Ridley Scott for his work in British television commercials.

The creature was designed by Swiss artist H. R. Giger based on the nightmarish creature that had appeared in his then just-published art book, Necronomicon (Masks Of The Dead), which director Scott had seen. Together the two conferred on what the parasite should look like when it erupted from its human host’s body. Giger readily admits he was influenced by another artist. “It was Francis Bacon‘s work that gave me the inspiration,” Giger said, “Of how this thing would come tearing out of the man’s flesh with its gaping mouth, grasping and with an explosion of teeth … it’s pure Bacon.”

Giger didn’t directly work on any of the sequels, and his subsequent Hollywood experiences were not always salutary. Though Alien brought him worldwide renown and an Oscar in 1980 for best achievement in visual effects, the filmmakers continued to use variations on Giger’s original creature without involving the artist. “With the fourth Alien film, they just took my creations, they used my ‘chest-burster’ and they didn’t even give me any credit. It’s offensive. I mean, one of the reasons the film became so famous was because of my Alien, wasn’t it?” The question is rhetorical. He pauses. “For the fourth Alien film, Sigourney Weaver got US$11 million. I received nothing.”

Read more in the National Post