Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” It is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood. In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.
Tag Archives | Hollywood
Unclear Holocaust is a feature-length autopsy of Hollywood's New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics...We see the Cinema as it really is; an unequivocal annihilation, the auto-genocidal mass fantasy of a megalomaniacally depressed First World.
Scientology looks like it’s taking a page from the Steve Jobs playbook:
This Saturday, Scientologists in the Los Angeles area are being asked to come to a “confidential briefing” that is so secret, they will be asked to sign special bonds at the door.
At that briefing, they will be told for the first time about major changes coming to the Church of Scientology — changes that we first told you about in June.
What has been rumored for months is actually here: Scientology leader David Miscavige is taking one of the biggest risks of his life and is revealing the alterations he is making to L. Ron Hubbard’s “standard tech.”
But is the Church of Scientology actually ready for his “Golden Age of Tech 2″?
Hollywood is to court controversy with a film that will challenge the official version of the events of 9/11, a previously taboo topic for the industry mainstream. Martin Sheen, Woody Harrelson and Ed Asner, who have all supported conspiracy theories about the terrorist attacks, have signed up to the movie, which is entitled September Morn.
Styling itself as a drama in the tradition of Twelve Angry Men, the film’s advance publicity note hints at a cover-up, saying: “We the people demand that the government revisit and initiates a thorough and independent investigation to the tragic events of 911.”
Read more at The Guardian.
James Evan Pillato shakes down the matrix with this episode of MediaMonarchy.
Do movies control your mind? Why are our many modern Superheroes orphans? Is the solution to all conflict to be more “powerful, masculine and destructive than the “bad” guys?” Do you suffer from source amnesia? Do gas tanks really explode when you shoot them? Myth Busters or Myth Fluffers? How many aspects of life have you only experienced via Hollywood? Is Obama off limits to comedians? “Will terrorism end if we just blow the shit out of the bad guys?”
Mold the superposition in accordance with will with this weeks episode
Earlier this year, I was in Tehran for a conference on Hollywood’s power and impact. It was called “Hollywoodism,” featuring many scholars and critics of the values and political ideologies featured in many major movies with a focus on the way Israel (a.k.a., “the Zionists”) are continually portrayed as if they do no wrong.
What we didn’t know then while we were debating these issues was that some of Hollywood’s biggest stars were at that very moment making a movie that will certainly be perceived as hostile to Iran, if not part of the undeclared war that Israel and the United States are waging with crippling economic sanctions and malicious cyber viruses.
The movie is Argo, and the hype for it has already begun. In a business driven by formula, a “hostage thriller” must have been irresistible to an industry always more consumed by itself and its own frames of reference than anything happening in the real world.… Read the rest
On Preventing the Ceremonies of Dumb People in Hollywood From Being a Burden on Their Parent Companies or Country, and for Making Them Beneficial to the Public
“I am giving an account of what…ought…to be.”
― William Daniel Defoe, A Friendly Proposal for Foundlings and Bastard Children Moll Flanders
Much like the birth of Christ, historians of film rarely agree on when it happened: the birth of cinema, that is. Perhaps even more controversial, however, is the question of paternity. Who’s your daddy, indeed?
Francophiles will forever laud Méliès, Teutons will zealously campaign for Murnau, the Russians <3 Eisenstein and proud Americans some of D.W. Griffith’s first, err, exploits. And yet, no matter the geographic genesis of film, one fact about its origin remains clear across the national board: it was, in fact, a silent birth. #Scientology.
If radio had delivered the psychologically bewildering disembodied voice (i.e.… Read the rest