Tag Archives | Hollywood

Martin Sheen and Woody Harrelson Set for 9/11 ‘Truther’ Film ‘September Morn’

Via The Guardian:

Hollywood is to court controversy with a film that will challenge the official version of the events of 9/11, a previously taboo topic for the industry mainstream. Martin Sheen, Woody Harrelson and Ed Asner, who have all supported conspiracy theories about the terrorist attacks, have signed up to the movie, which is entitled September Morn.

Styling itself as a drama in the tradition of Twelve Angry Men, the film’s advance publicity note hints at a cover-up, saying: “We the people demand that the government revisit and initiates a thorough and independent investigation to the tragic events of 911.”

Read more at The Guardian.

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Do Movies Control Your Mind? Media Monarchy Analyzes The Mind Games We Play.

James Evan Pillato shakes down the matrix with this episode of MediaMonarchy.

Do movies control your mind?  Why are our many modern Superheroes orphans?  Is the solution to all conflict to be more “powerful, masculine and destructive than the “bad” guys?”  Do you suffer from source amnesia?  Do gas tanks really explode when you shoot them?  Myth Busters or Myth Fluffers?  How many aspects of life have you only experienced via Hollywood?  Is Obama off limits to comedians?  “Will terrorism end if we just blow the shit out of the bad guys?”

Mold the superposition in accordance with will with this weeks episode

#269 Mind Games

 

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Kathryn Bigelow’s ‘Zero Dark Thirty’: Another Entry in the Long Tradition of Wartime Propaganda

Here's the official trailer for Zero Dark Thirty (Hilariously kitschy tagline: And Justice for All), Kathryn Bigelow's movie about the United State's  hunt for Osama bin Laden.  The script was written by Mark Boal, with whom Bigelow collaborated on 2008's The Hurt Locker. Both Bigelow and Boal insist that their film is apolitical, but already questions are arising about if two received secret documents on the bin Laden raid from the Obama administration.  They've had no comment, beyond a few muted responses along the usual "We have to protect our sources."
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P.T. Anderson’s Kinda-Probably-Maybe Scientology Film: ‘The Master’

Yesterday Yahoo! released an exclusive trailer for The Master, Paul Thomas Anderson's film about a troubled young drifter who develops an intense relationship with the leader of a new religion which according to most is a barely concealed Scientology. As one of America's most provocative contemporary filmmakers, Anderson certainly has the chops to examine the perplexing allure of Scientology, but given the cult's religion's ubiquity among Hollywood's elite...
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The Military-Entertainment Complex Hits Summer Cinema Screens

What do you get when the Pentagon joins into a symbiotic relationship with our major entertainment industries? The birthing of the ever-growing baby that we call militainment. The military grants filmmakers access to high-powered technology and in return, Hollywood propagates films that make warfare seem legitimate. Al Jazeera discusses Act of Valor, an $80-million-grossing action film released earlier this year which was commissioned by the Navy’s Special Warfare Command and goes "beyond propaganda":
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New Hollywood Movie ‘Argo’ Glamorizes CIA In Iran

Earlier this year, I was in Tehran for a conference on Hollywood’s power and impact. It was called “Hollywoodism,” featuring many scholars and critics of the values and political ideologies featured in many major movies with a focus on the way Israel (a.k.a., “the Zionists”) are continually portrayed as if they do no wrong.

What we didn’t know then while we were debating these issues was that some of Hollywood’s biggest stars were at that very moment making a movie that will certainly be perceived as hostile to Iran, if not part of the undeclared war that Israel and the United States are waging with crippling economic sanctions and malicious cyber viruses.

The movie is Argo, and the hype for it has already begun. In a business driven by formula, a “hostage thriller” must have been irresistible to an industry always more consumed by itself and its own frames of reference than anything happening in the real world.… Read the rest

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Eat The Academy

On Preventing the Ceremonies of Dumb People in Hollywood From Being a Burden on Their Parent Companies or Country, and for Making Them Beneficial to the Public

Kill screen from the Cartoon Network video game Orphan Feast

Kill screen from the Cartoon Network video game Orphan Feast

“I am giving an account of what…ought…to be.”
William Daniel Defoe, A Friendly Proposal for Foundlings and Bastard Children Moll Flanders

Much like the birth of Christ, historians of film rarely agree on when it happened: the birth of cinema, that is. Perhaps even more controversial, however, is the question of paternity. Who’s your daddy, indeed?

Francophiles will forever laud Méliès, Teutons will zealously campaign for Murnau, the Russians <3 Eisenstein and proud Americans some of D.W. Griffith’s first, err, exploits. And yet, no matter the geographic genesis of film, one fact about its origin remains clear across the national board: it was, in fact, a silent birth. #Scientology.

If radio had delivered the psychologically bewildering disembodied voice (i.e.… Read the rest

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Hollywood Violence, The Pentagon, & Marlon Brando’s Oscar Rejection

Disinformation author Ed Rampell (Progressive Hollywood) features in an episode of "The Point" in which Mimi Kennedy (actress, Midnight In Paris) makes a point about how Hollywood exports violence abroad, and Jordan Zakarin (writer/editor, The Huffington Post) shares his thoughts on the cozy relationship between the film industry and the Pentagon. The final point is on what may be the most controversial moment in Oscars history involving Marlon Brando and Native Americans. Cenk Uygur (host, The Young Turks) leads the discussion with Mike Farrell (actor/activist/writer - president, Death Penalty Focus), Tina Dupuy (managing editor, CrooksAndLiars.com), and Ed.
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Nothing Happens Unless White Folks Say So

redhook summerJames Mcbride, co-writer of Spike Lee’s ‘Red Hook Summer,’ has penned a pull-no-punches open letter to Hollywood, detailing some serious issues on race and representation in cinema, and what it means to be a storyteller in an overtly commercial studio system. Via Colorlines.

The reviews for Spike Lee’s film “Red Hook Summer” that premiered at Sundance earlier this week have not been good. His comments made after the premiere about Hollywood studios knowing “nothing about black people” made more headlines than the actual film.

An open letter published yesterday by “Red Hook” co-writer, James McBride, is sure to make even more headlines because he takes the film community to task and says “nothing in this world happens unless white folks says it happens.”

Below is an excerpt from McBride’s open letter on the 40 Acres and a Mule website:

Three days ago, at the premiere of “Red Hook Summer” at The Sundance Film Festival, Spike, usually a cool and widely accepting soul whose professional life is as racially diverse as any American I know- lost his cool for 30 seconds.

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Meeting Ahmadinejad, Trashing ‘Hollywoodism,’ And Eating Kabob

Tehran, Iran: Iran seems to many to be next in line for the Iraqi freedom treatment, the latest in a long line of “enemy” nations menaced by overt and covert military threats by the United States and its allies.

Tehran. Photo: Maryam Ashoori (CC)

Tehran. Photo: Maryam Ashoori (CC)

As the psyops operations and media propaganda intensifies, you might think war is imminent for defense and that Iran is doing what countries under threat do in these circumstances—such as mobilizing their people and preparing for a bombing onslaught.

Think again. While I have been told that military targets have been or are being moved around, the atmosphere in Tehran is relaxed with more talk of a cultural battlefield than a military one. There’s a commemoration under way of the 33rd anniversary of the Iranian revolution and an international conference on “Hollywoodism and Cinema” as an extension of an annual Fajr film festival.

And that’s what I am doing here, as a guest participant in an event that sees Hollywood as a bigger enemy than the Pentagon.… Read the rest

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