Abby Martin features an exclusive interview with Nivek Ogre, lead singer of the industrial music group Skinny Puppy, discussing the band’s reaction to their music being used to torture Guantanamo detainees, as well as their motivation to be politically confrontational, their passion for animal rights, and the need to speak out in time of universal deceit.
Tag Archives | Industrial Music
Off their newest album Echogenetic
Bill Leeb interview on RadxRadio
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Known for his work in the aggressive industrial outfit Front Line Assembly and the ethnic/ambient project Delerium, Bill Leeb was born in Austria and emigrated to Vancouver, Canada, with his family around age 12. He joined the charter lineup of the seminal industrial band Skinny Puppy under the alias Wilhelm Schroeder, then left in 1986 to form Front Line Assembly with sampler/programmer Rhys Fulber and synth player Michael Balch (the latter left in 1990). FLA maintained a prolific recording pace over the next decade, turning out groundbreaking albums like Caustic Grip (1991), Tactical Neural Implant (1992), and the guitar-oriented Millennium (1994) that helped industrial music cross over to alternative audiences. In the meantime, Leeb and Fulber started a quieter, more meditative side project called Delerium, which made some recordings for a small German label during the late ’80s and early ’90s.
YOU will be pleased to know … actually … let’s start at the beginning. All systems are a product of their histories. Events over time shape the state of OS and application software both for good and bad; while users make forward progress on productive work, bugs and malicious software may destabilize and corrupt their efforts. External events to a historical version of a virtual monitor ma-chine. Replay is intentionally non-deterministic, and may be parametrized as to modify the stream of events that are delivered. In the second, analysis stage, the engine pro-state as mutable through time has been the subject of many tools to assist with semantic comparisons between the resulting alternate states.
Now, a lot of people like to talk about “industrial musicK” like they know what they’re talking about. They only talk of machine drums, sequencers set on 16th-note patterns, barre cords, tedious vocal distortion and sound bites sampled from A Scanner Darkly.… Read the rest
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In the last couple of weeks I learned that Karsh Kale, Tim Sköld, Ogre and HoodooEngine had released or were about to release new albums. I dig them all so I do what I do sent out the emails and made the phone calls. There were other musicians, labels and festivals I wanted to feature on the show as well but they didn’t happen due to availability and time constraints and before I knew it, this week’s show had been distilled into a gem of greatness.
I discovered Karsh Kale right about the same time I discovered the Asian Massive (or Asian Underground) scene. Over the years I watched the careers of Karsh Kale, Asian Dub Foundation and others grow over the years and it’s a wonder that I haven’t had someone like Karsh on the show earlier.
The One True TOPI Tribe, thee OTTT, or simply TOPI (said like Hopi, see TOPI mission statement one), as you already know is a coum-Unity, a decentralized proccess network, founded by Genesis Breyer P-Orridge.(Genesis Breyer P-Orridge & Dust La Rock for Frank151 from Frank151 on Vimeo.)
You will at once notice at least two unfamiliar terms, TOPI and COUM. Let us start with COUM or coum and see if we can then speak a little more about this One True TOPI Tribe. It’s hard not to notice, how coum is spelled (but how does it sound?), COUM (the capitalization is just to draw your attention to) or coum can be pronounced ‘cum’ or ‘com’. Yet we do not stop at that level. The term also resonates with the word ‘come’ as well as ‘cum’ (like in your face).
I guess I should start by saying what a big fan I am of Front 242. From Geography to UP EVIL & OFF and everything in between. Then a couple of years ago I finally got my hands on their 2003 release, PULSE.
The track listing was very intriguing — I was excited by the prospect of entering a new world of ‘cyberpunk” soundscapes augmented by an erotic delirium of industrial proportions … something about sorcery enhanced by cybernetic implants for cross-dressing degenerates. But then I actually listened to it … and the magic was gone. I eventually ‘unchecked’ all the tracks of the album and deemed it a lost cause and failure.
Oh, the irony. Cut to a few days ago when looking to free up some space on my HD I set my sights on iTunes. I inevitably sought out the unchecked tracks — that’s when PULSE was put back on my radar.… Read the rest