Tag Archives | Kurt Vonnegut

Tomorrow and Tomorrow and Tomorrow by Kurt Vonnegut

If it was good enough for your grandfather, forget it … it is much too good for anyone else!

GRAMPS FORD, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day’s happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, “Hell, we did that a hundred years ago!”

Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity—privacy—were obliged to take seats in the back row, behind Lou’s father and mother, brother and sister-in-law, son and daughter-in-law, grandson and wife, granddaughter and husband, great-grandson and wife, nephew and wife, grandnephew and wife, great-grandniece and husband, great-grandnephew and wife—and, of course, Gramps, who was in front of everybody. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age—somewhere in their late twenties or early thirties.… Read the rest

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Kurt Vonnegut Graphed The World’s Most Popular Stories


U.S. Army portrait of Pvt. Kurt Vonnegut, Jr.

Clearly there was a lot of method in Kurt Vonnegut’s creative madness, as discovered by Wonkblog:

Kurt Vonnegut claimed that his prettiest contribution to culture wasn’t a popular novel like “Cat’s Cradle” or “Slaughterhouse-Five,” but a largely forgotten master’s thesis he wrote while studying anthropology at the University of Chicago. The thesis argued that a main character has ups and downs that can be graphed to reveal the taxonomy of a story, as well as something about the culture it comes from. “The fundamental idea is that stories have shapes which can be drawn on graph paper, and that the shape of a given society’s stories is at least as interesting as the shape of its pots or spearheads,” Vonnegut said.

In addition to churning out novels, Vonnegut was deeply interested in the practice of writing. The tips he wrote for other writers – including “How to write with style” and “Eight rules for writing fiction” — are concise, funny, and still very useful.

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An Atheist’s Defence of Irrationality

Dr. Isaac Asimov, 1965

Dr. Isaac Asimov, 1965

Raghunath Joshi writes:

Isaac Asimov said ‘I am an emotional atheist. As to the claim that God exists, my suspicion is so strong that I don’t want to waste my limited time believing/acting on it’. Even though I am an atheist, I can appreciate religion when ever it results in kindness honesty and courage, like the writer Kurt Vonnegut when he says ‘Believe in all harmless untruths if it makes you kind, happier and more truthful’.

In all of the arguments that we, atheists make against religion, the underlying thread is ‘logic’. The problem with using logic is that we HAVE to stop it at one point in the line of argument. It is so because logic can’t create a meaning of one’s life. It can only help us derive a moral structure from a fundamental premise such as ‘compassion towards’ / ‘happiness of’ / ‘freedom of’ all living creatures.

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Kurt Vonnegut in Slaughterhouse Five

On the fascinating site Letters of Note:
In December of 1944, whilst behind enemy lines during the Rhineland Campaign, Private Kurt Vonnegut was captured by Wehrmacht troops and subsequently became a prisoner of war. A month later, Vonnegut and his fellow POWs reached a Dresden work camp where they were imprisoned in an underground slaughterhouse known by German soldiers as Schlachthof Fünf (Slaughterhouse Five). The next month — February — the subterranean nature of the prison saved their lives during the highly controversial and devastating bombing of Dresden, the aftermath of which Vonnegut and the remaining survivors helped to clear up. Vonnegut released the book Slaughterhouse-Five in 1969. Below is a letter he wrote to his family that May from a repatriation camp, in which he informs them of his capture and survival:


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