Tag Archives | Magick

Death Is The Road To Awe: The Art of Joseph McVetty.

Visions Of The Reverend Mother, 35''x46'' Latex paint, gouache, and pencil on paper.

Visions Of The Reverend Mother, 35”x46” Latex paint, gouache, and pencil on paper.

Joseph McVetty is an artist and illustrator living and working in Portland, Oregon. The masked participants of these drawings are acting out communal rituals involving new age occult signifiers such as crystals, chakras, energy fields, levitation, and conjuring. Each drawing aims to evoke the feelings associated with the cultish, drop-out supernaturalism, and homespun magic.

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Harmonia Macrocosmica — History’s Most Beautiful Star Maps

The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius.

The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius.

The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius.


The first part of the atlas contains copper plate prints depicting the world systems of Claudius Ptolemy, Nicolaus Copernicus and Tycho Brahe. At the end are star maps of the classical and Christian constellations, the latter ones as introduced by Julius Schiller in his Coelum stellatum christianum of 1627. The translations are by dr. Henry A.I. Stadhouders (Theological Institute, University of Utrecht).

In the foreword to his Chronologica, Gerard Mercator stated the intention to publish an atlas which would cover everything of the then-known cosmos, geography and history of the earth. During his life, Mercator published five volumes of his atlas, the last one being published by his son Rumold. After Mercator’s death, the Amsterdam cartographerJohannes Janssonius took over the project.… Read the rest

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In the Beginning there were Simple Chemicals – New Evidence on the Origins of Life

Via Phys.org:

In the beginning, there were simple chemicals. And they produced amino acids that eventually became the proteins necessary to create single cells. And the single cells became plants and animals. Recent research is revealing how the primordial soup created the amino acid building blocks, and there is widespread scientific consensus on the evolution from the first cell into plants and animals. But it’s still a mystery how the building blocks were first assembled into the proteins that formed the machinery of all cells. Now, two long-time University of North Carolina scientists – Richard Wolfenden, PhD, and Charles Carter, PhD – have shed new light on the transition from building blocks into life some 4 billion years ago.

“Our work shows that the close linkage between the of amino acids, the , and protein folding was likely essential from the beginning, long before large, sophisticated molecules arrived on the scene,” said Carter, professor of biochemistry and biophysics at the UNC School of Medicine.

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RITHIKA MERCHANT- Mosaics of Myths



Rithika Merchant (1986) deals with creating mosaics of myths that question received histories that are available to us throughout culture. An inherent feminism exists in her decoration undermining the minimalism of modernity that views a woman just as a muse.

In 2008 she graduated with a Bachelors in Fine Arts from Parsons the New School for Design in New York. She has studied painting and conceptual practice at the Hellenic International Studies In The Arts in Paros, Greece. In 2008 she was a resident at the Convento Sao Francisco Mertola in Mertola, Portugal.

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William Mortensen – The Antichrist of American Photography in the House of the Devil

By Adam Parfrey

A few decades ago we spent a good deal of time at Anton LaVey’s “black house” in San Francisco’s Richmond District.

On the walls and on the shelves were a lot of items to look at and consider. One photograph, seen in the kitchen, was a framed and signed photograph of a hunching woman overlapped by a depraved cloaked ghost. The photo was called “Fear,” and it was the work of  William Mortensen (1897 – 1965).


William Mortensen “Fear” c. 1930’s (also titled “Obsession”) Manipulted Photograph

Anton spoke of Mortensen’s influence in guiding him to understand the mechanics of “Lesser Magic,” or what affects people’s reaction to what they see and absorb.

Mortensen’s photographs like “Fear” are fascinating, but for years I resisted Mortensen’s reductive ideas regarding human behavior. It all seemed too reptilian to me. But there came the time when researcher Larry Lytle approached me about publishing a monograph on William Mortensen.… Read the rest

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MORBID ANATOMY MUSEUM: Do The Spirits Return? From Dark Arts to Sleight of Hand


Morbid Anatomy Museum Opens Third Exhibition Featuring Rarely Seen Artifacts

Related to Early Stage Magic and the Occult

The Morbid Anatomy Museum launches a new exhibition: Do The Spirits Return?: From Dark Arts to Sleight of Hand in Early 20th Century Stage Magic

Brooklyn, NY — On April 11, the Morbid Anatomy Museum launched its third exhibition devoted to the surprising relationships between 19th and early 20th century stage magic and the religion of Spiritualism, the pleasures of horror, the empowerment of women and the role of the devil, as exemplified by the life and work of Howard Thurston (1869-1936). The exhibition features stunning and rarely exhibited original stage props, posters, photographs, artworks, letters, books, and even the fabled “Luxor Mummy,” all drawn from the collection of Brooklyn native Rory Feldman. The show was curated by Morbid Anatomy Museum creative director Joanna Ebenstein and programmer in residence Shannon Taggart.

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A Disinformation Compendium — Doktor Johannes Faust’s Magia naturalis


Doktor Johannes Faust’s Magia naturalis et innaturalis : oder, Dreifacher Höllenzwang, letztes Testament and Siegelkunst, nach einer kostbar ausgestattenten Handschrift in der Herzogl. Bibliothek zu Koburg vollständig und wortgetreu hrsg. in fünf Abtheilungen..


Doctor Johannes Faust’s Magia naturalis et innaturalis: or, Triple hell compulsion Last Testament and Seal Art, after a preciously ausgestatt ducks handwriting in the Ducal. Library Coburg ed fully and faithfully. .. in five divisions

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The Art and Magic of Austin Osman Spare


Over at Cvlt Nation, Mick has curated and written a brief but informative history of Austin Osman Spare and his work.

via Cvlt Nation:

[In 1906] Spare published his first political cartoon, a satire on the use of Chinese wage slave laborers in British South Africa, which appeared in the pages of The Morning Leader newspaper. During this same time, he was working diligently on A Book of Satyrs, which included nine satirical illustrations ridiculing the Church and politics. In 1907, Spare created his most infamous piece, ‘Portrait of the Artist.’ This black and white self-portrait was later purchased by Jimmy Page.

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