Filmmakers Keith and David Lynch used images from vintage Victorian phenakistoscope discs in this music video for “The Hope of a Favourable Outcome” a song by Canadian composer Carly Paradis. If you’re into film scores, then you may know her already for her piano work on the soundtrack to Duncan Jones’ excellent science fiction film Moon.
Tag Archives | Music
What’s less well known is that Seeger wanted to be a newspaperman, but thanks to his unique skills, deep talent and incredible artistry, he actually “covered” the world in ways that went above and beyond what appeared in much of the media.
He was ahead of the News with the Times never quite able to catch up. He touched hearts as well as heads.
At the same time, he sang about the media with an edge that didn’t win him many friends in outlets that treated him as an eccentric, not a major cultural voice.
Here’s a song he liked to sing, written by Vern Partlow, and reported on by the Guardian, safely outside the USA.
… Read the rest
“Oh, a newspaperman meets such interesting people
He knows the lowdown (now it can be told);
I’ll tell you quite reliably off the record,
About some charming people I have known.
A lot of the problem with viewing the universe as being comprised of matter comes with the idea that it’s devoid of conscious experience somehow. More and more, little by little, we’re starting to wake up to the insane limitations of this philosophy. Renders people humorless if you ask me. Nothing adds up, which creates profound existential desperation resonating throughout the collective psi-grid of humanity. There is no explanation for why anything happens, so we instead focus on how things go down in obsessive detail. Not to knock this approach, as it creates order by combining with the mystical chaos of internal infinity. Too much mystic psychic sizzle and you’ll get torn to shreds, but when you look at only shared perceptual experience, you’re editing out the vast majority of reality. It’s all dark matter through those eyes. Endless blacked out pages on a declassified UFO report.
What I’ve found is that by shifting models of reality interpretation just slightly from conceiving the world as being made of matter to one comprised from conscious experience, coherent macro concepts of conjoined narratives learning lessons throughout cycles of shifting lifetimes starts to take shape (which I talk about all the time on Facebook; friend me).… Read the rest
From FC Student Blog:
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In his book, Making Comics, Scott McCloud created a chart categorizing artists according to four intentions — what artists are most interested in, in creating art. His categories are:
- Formalist — The Formalist is interested in examining the boundaries of an art form, stretching them, exploring what the form is capable of. The Formalist is interested in experimenting, turning the form upside-down and inside-out, moving in new, bold, untried directions, inventing and innovating. Formalists are the cutting edge, the avant-garde, the ones willing to break tradition and established ways. Strict narrative or craft is not as important as trying something new and unexpected, playing with and breaking traditional concepts, getting to the heart of understanding what art itself is.
An algorave is an event where people dance to music generated from algorithms, often using live coding techniques. Algoraves can include a range of styles, including a complex form of minimal techno, and has been described as a meeting point of hacker philosophy, geek culture, and clubbing. The first self-proclaimed "algorave" was held as a warmup concert for the SuperCollider Symposium 2012. The first North American algorave took place in Hamilton, Ontario during the artcrawl of 9 August 2013.
Composer Jim Wilson has recorded the sound of crickets and then slowed down the recording, revealing something so amazing. The crickets sound like they are singing the most angelic chorus in perfect harmony. The recording contains two tracks played at the same time: The first is the natural sound of crickets played at regular speed, and the second is the slowed down version of crickets’ voices. “I discovered that when I slowed down this recording to various levels, this simple familiar sound began to morph into something very mystic and complex……..almost human.”
… Read the rest
The first two Ministry albums I heard were With Sympathy and Filth Pig. I can’t remember which one I got first, but they sounded completely different not just from each other, but from what I expected Ministry to sound like — something like Skinny Puppy or Nine Inch Nails.
How did Ministry begin with such pop roots and emerge as a heavy metal band? Jourgensen has claimed he was forced by the record company and his producers to create a pop album. Others have speculated that he discovered hardcore punk later in life and was converted.
“The singer has been accused of punk posturing on the video for ‘Stigmata,’ which has him decked out in skinhead garb and wallowing in a pile of trash,” the Phoenix Times wrote in 1988, following the release of The Land of Rape and Honey.
Neither version of the story is true. And while skipping straight from “Revenge” to “No W” would be quite a shock, there’s actually a steady progression in the sound over the years.
[Ancient Greek] instruments are known from descriptions, paintings and archaeological remains, which allow us to establish the timbres and range of pitches they produced.
And now, new revelations about ancient Greek music have emerged from a few dozen ancient documents inscribed with a vocal notation devised around 450 BC, consisting of alphabetic letters and signs placed above the vowels of the Greek words.
The Greeks had worked out the mathematical ratios of musical intervals – an octave is 2:1, a fifth 3:2, a fourth 4:3, and so on.
The notation gives an accurate indication of relative pitch.
If you like this sort of thing, be sure to check out Hear the Epic of Gilgamesh Read in the Original Akkadian, where the sounds of ancient Mesopotamia reach out from the past, and speak to us again.… Read the rest
I really wasn’t expecting to bump into Jerry Only and his Misfits bandmate Chupacabra (yeah, yeah, I know, it’s not the original line-up) at New York Comic Con, but that’s part and parcel of the madness of that event. I don’t do many music industry interviews (and this one was spur of the moment with zero prep time, and entirely off the top of my head to boot) but I rose to the occasion and did the best I could under the circumstances. Chupacabra doesn’t talk much, by the way. Hope you enjoy, Disinfonauts.