Tag Archives | Music

Mellon Collie and the Infinite Crapfest—Things I Never Hear Anyone Say About the Music Business

One of the strangest things about watching lefty hippie types getting all fired up about wealth inequality is that I never see them even acknowledge how much worse everything is in the arts, which a lot of them are directly involved with. Don’t want to bite the hand that feeds (or pretends like it might feed you one day). Let’s face it, you’re not a real artist until rich people say you are and sadly, it’s probably better now than it used to be say, fifty years ago. Doesn’t matter what art form you’re involved with, it’s all fairly impossible to make ends meet unless you’re either born or fuck your way into the privilege factory. Having a trust fund helps. And that’s the sad thing no one’s saying about this stuff, the worse income disparity gets in society as a whole, the even more psychotically worse it gets in the arts.… Read the rest

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The Beatles Imagined As Mayan Gods

Can the divide between pop culture and ancient wisdom be crossed? A particularly strange episode of the late-sixties Beatles cartoon series features the Fab Four journeying “to the inner world” and becoming extraterrestrial gods of a civilization resembling the Mayans:

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Sony Releases Major Album Solely To Extend Copyright Protection

The New York Times on a dubious and surreal moment in the history of recorded music:

In response to provisions in a new European copyright law, Sony Music has released a compilation of early Bob Dylan recordings [subtitled] “The Copyright Extension Collection, Vol. 1” — that was rushed to a handful of record shops in Germany, France, Sweden and Britain just after Christmas. Only about 100 copies of the four-CD set were produced, with sparse packaging.

The point of the release was to keep the recordings under copyright protection in Europe, where the laws are in flux.  A change extending copyright in the European Union to 70 years will be in effect by 2014. But recordings cannot benefit unless they were published before the 50-year term expired. The recordings on “Copyright Extension” were about to fall over that legal precipice.

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Psychotronic Soundscapes: Top Twenty Mind-Bending Albums for 2012

Picture: Maf04 (CC)

Disinfo pal Thad McKraken has written a run-down of this year’s top mind-bending albums, complete with samples for your enjoyment:

Say what you will about 2012, but since consciousness is comprised of linguistic information, the idea of a coming apocalypse in itself propagated some rather delicious undercurrents of sound rippling through the Akashic record this year. I’ve never written more than a top five list in my life, but when I was thinking back on the insane amount of mind-bending albums that dropped in the last 12 months, I was kind of in shock. Most of this stuff’s fairly obvious, at least in my world. Was it people like Terence McKenna and his mechanized Timewave Zero prophesies, inspiring people like Grant Morrison to write the great Invisibles hypersigil, that summoned this record deluge of psychoactive soundscapes into motion? I have no idea. Did the Mayans get in every band’s head and subconsciously encourage them to bring their A game in 2012 as it might be their final chance?

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The Cult Of Nick: KLF, Chaos, Magic, Music, Money

From The Cult Of Nick podcast:

In 1994 Bill Drummond and Jimmy Cauty took a million pounds to a deserted boathouse on the island of Jura and burnt it. The writer JMR Higgs looked at this event from a magickal perspective and came up with some interesting results. The story involves the world’s first joke religion, the JFK assasination, Robert Anton Wilson, Alan Moore and a bunch of ideas collectively known as “Chaos Magick”.

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If you’re interested in “sigils” which we get to talking about right at the end of the interview go to the Disinfo.com website where I’ve written some short essays on the topic.

Click here to download the podcast for yourself.

The events and book are described by the author on his personal website here:

I read about it afterwards in an article in the Observer, which I immediately clipped and put in a drawer.

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(Reminiscences from) The Music Scene in LA in the Early Eighties

Ray Mankarek, keyboards player of the Doors, at his home beside his beautiful blonde piano – March 1984

I have recently published The Forbidden Book, a novel co-written with Joscelyn Godwin, the noted scholar of western esotericism. Before publication, when our publisher was looking for blurbs, the name of Gary Lachman came up, himself a distinguished author in the field. He read the book and wrote a wonderful blurb. Then I noticed on Google that he went under another name, too: Gary Valentine, which opened the floodgates of memory. The Gary Valentine? The bass player for Blondie? We used to know and frequent each other in LA in what must be, for both of us, another life. I wrote to him to thank him for his blurb and refresh our friendship; he replied, “Dear Guido, my God it’s a small world! Yes, I remember meeting you and Stenie a few times back in the early 80’s with Lisa.… Read the rest

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