The idea that the multiverse is more akin to an art project than a science experiment (or an art experiment if you’re so inclined) is one of those Occult themes that typically gets dismissed by both overly scientific and religious types alike. Even though it quite inarguably resonates now more than ever. One of the stranger aspects of human psychology that we essentially avoid touching in typical academic or spiritual discourse involves the fact that your average person now consumes roughly a hundred thousand times more art in a given year than they did even a mere century ago. We used to rely on mediums like galleries, plays, symphonies, and libraries to dispense our art, most of which weren’t super accessible to people who weren’t wealthy or close to an urban center. Now the fact that the Internet and cable television beam recreational distractions into our homes 24/7 seems almost like a trivial afterthought.… Read the rest
Tag Archives | Music
Joe Cocker, the British singer whose impassioned, gravel-voiced covers of popular rock and blues songs were an indelible sound of 1960s counterculture, has died at age 70 after a battle with lung cancer.
Cocker lent his voice to the songs of many fellow rock artists, but perhaps none more memorably than The Beatles’ “With a Little Help From My Friends” which, despite being released on Sgt. Pepper’s Lonely Hearts Club Band just the year before, was his breakthrough, hitting No. 1 in the U.K. in 1968.
Twenty years later it would become the theme song to The Wonder Years, though nothing will top Cocker’s performance at Woodstock in ’69:
From the re-mixer: “I performed John Cage’s 4’33”, treated the recording as a found object and re-mixed it in autotune. Let the debates begin.”
Peter Bebergal, disinformation friend and contributor, has a fascinating new book out called Season of the Witch: How the Occult Saved Rock and Roll. We recently caught up with Peter and asked him some questions in this exclusive interview:
Disinformation: You seem to struggle somewhat to define “occult.” Is it a loaded term?
Bebergal: For a word with such a simple definition, the “occult” has lost almost all meaning, as when you say a word over and over again until it sounds made-up. When I told people I was working on this book, the responses were wildly different, and extremely prejudicial. Some folks assumed I was writing only about the devil and rock music, others—believing the occult to be nothing more than base superstitions—thought the project had no merit, and then there were those that assumed, and hoped, I was going to be making metaphysical claims. I’m sure there were others who worried about my soul.… Read the rest
Alexander Reid Ross writes at CounterPunch:
… Read the rest
“No one surrounds themselves with Runes, totenkopfs and neofolk and REALLY likes the jews. They just pretend they do because they are cowards.”
– James Porrazzo, former leader of the American Front
At first, I didn’t think that I was going to the protest against the controversial band Death in June, but the stars seemed to align. Having just finished reading that 3,500 page tome of Jewish scripture, the Babylonian Talmud, I felt like I had some extra time on my hands and needed to celebrate. As it happened, the protest took place the day before the anniversary of Kristallnacht. The following day was Armistice Day (Veterans Day), celebrating the end of World War I. It seemed like a good day to fight fascism, and Death in June is famous for their openly fascist approach.
Some who join me in coming from an ecological background might wonder, why would you protest Death in June, a subcultural neo-folk band that doesn’t really make any ecological claims?
If you happen to be lucky enough to live in Seattle and are planning on being incredibly high or possibly tripping balls this weekend, might I recommend the second installment of the Hypnotikon psychedelic music festival? Fun fact: the origins of the sort of spiritual writing I’ve been doing on Disinfo for the last several years actually date back to pieces I was writing for musician and visual artist Aubrey Nehring’s Portable Shrines website about 5 years ago. Back then, Nehring and his friends in the utterly brilliant band, Midday Veil, were disappointed with the fact that Seattle was lagging behind other west coast cities like Portland and San Francisco in terms of any sort of cohesive psych rock scene. In an attempt to change that, they organized the two day trance freak out, Escalator Fest. Eventually Nehring (who is doing visuals for Hypnotikon) decided booking festivals wasn’t really his cup of tea, but thankfully local electronic/psych beat writer Dave Segal and his lovely/talented girlfriend Valerie Calano (DJ Veins and Explorateur respectively) seized the mantle and created Hypnotikon, which saw its first incarnation last year.… Read the rest
“We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.
We shape clay into a pot,
but it is the emptiness inside
that holds whatever we want.
We hammer wood for a house,
but it is the inner space
that makes it a home.
We work with being,
but non-being is what we use.”
– Lao Tzu
Synchromusicology Pt. IV: Symphonic Sorcery, New Aeon Magic, and The Silence Between the Gnosis
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