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Brooklyn’s Prince Rama: The Band that Talks to Ghosts

By on April 3, 2013 in News 1

Early in 2012, Redefine proprietor Vivian Hua and I decided to do a series of interviews focusing on musicians who drew from esoteric spiritual pursuits for inspiration. It seemed like a good idea at the time, but what we ran into is that we don’t actually know of, or personally know too many of these musicians, so it didn’t get very far. The other thing we ran into was that a few people agreed to talk to us and then completely bailed when they saw the weird shit we were going to ask them. What the fuck are you going to do?

Fortunately for us, we did manage to chat with Brooklyn’s Prince Rama, whose Taraka Larson used to intern with Paul Laffoley strangely enough, and they pretty much knocked the ball out of the park. It was also another one of those odd witchery situations, because I talked to them after their show, but the recording was mysteriously inaudible.… Read the rest

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I, pet goat II

By on March 31, 2013 in News 1
A story about the fire at the heart of suffering. Bringing together dancers, musicians, visual artists and 3d animators, the film takes a critical look at the events of the past decade that have shaped our world.
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Napalm Death’s Music So Loud It Could Damage London Museum

By on March 21, 2013 in News 8

ShaneEmburyNapalmDeathbymjcuevasCould this be the ultimate compliment for a metal band: their planned gig at the venerable Victoria & Albert Museum in London has been canceled as the museum is worried that their music is so loud it could damage the building, reports Reuters:

London’s famed Victoria and Albert Museum (V&A) has canceled an experimental concert by extreme metal band Napalm Death, fearing the noise level could damage the 104-year-old building.

Ceramic artist Keith Harrison from the V&A, the world’s largest museum of decorative arts and design, collaborated with Napalm Death on a set to be played through a sculptural sound system which would disintegrate under decibel stress.

But museum officials said the one-off performance, scheduled for Friday in the V&A’s Europe Galleries, had been canceled out of concern it was not only the intended sculpture that would be damaged.

“A further safety inspection has revealed concerns that the high level of decibels generated by the concert would damage the historic fabric of the building,” a museum statement said…

[continues at Reuters]

… Read the rest

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David Byrne’s Multiple-Personality Interview Of Himself

By on March 17, 2013 in News 5
In this media moment lost in the archives of history, Talking Heads front man and weirdo David Byrne organized an interview regarding his band, creative ambitions, and innermost desires. The idea was to adhere to a format "like 60 Minutes on acid", with the questions being asked by female David Byrne, elderly David Byrne, lounge lizard David Byrne, and other disturbing characters:
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Bill Wyman on David Bowie’s Golden Years: Assessing a Radical Career

By on February 28, 2013 in News 13

I don’t know who at New York Magazine managed to persuade former Rolling Stones bassist Bill Wyman (or is it the other Bill Wyman?) to write an essay on David Bowie, but you have my thanks. Over to Mr. Wyman:

I very rarely have felt like a rock artist,” David Bowie used to say. “I’ve got nothing to do with music.” More than 40 years on, we see now he was dissembling on both counts. But as with any great act of self-creation, there was an element of truth in the obfuscation, and the roles he was playing in addition—some species of musical-­theater provocateur, a high-art celebrity indulging in a low-art mechanism, a transgressive social poet manipulating a pop-cultural moment—seem plain. He was the first rocker to deliberately separate himself from the personae of his songs and onstage characters in a way that challenged his audience. The stardom that resulted was unlikely—he was, let us remember, a self-described gay mime.

… Read the rest
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The Psychedelic 90’s—Modern Myth Making and the Music Press

By on February 27, 2013 in News 34

As an obsessive music weirdo, you start to notice some odd patterns as you get older and contemplate the way that most people contextualize music in their lives. I’m not sure how much research has been done on this, but as far as I can tell, in most cases, whatever stuff someone happened to get down to during their formative developmental ages of say, 14-24, apparently permanently burns itself into their psyche and leaves an indelible mark on their opinion as to what constitutes “good shit” for the rest of their lives. This is the sort of secret psychology you’ll never read about in text books but I’m sure sketchy uptight rich dudes talk about behind closed doors 24/7. The one thing I can say about pursuing psychology in college was that I quite quickly picked up on the fact that the real people who understand how to bend the human psyche work at PR firms and press agencies, not universities.… Read the rest

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Alchemical Alembics and Desert Wines – An Interview with James Maynard Keenan

By on February 22, 2013 in News 6

From David Metcalfe, over at Modern Mythology:

Last year I had the opportunity to speak with James Maynard Keenan for a short Q & A that ran in Alarm Magazine. Keenan’s work with the bands Tool, A Perfect Circle, and Puscifer have penetrated deep into the cultural consciousness, but it was another passion of his that provided the impetus for the article. In the heart of the Verde Valley he is currently developing the Arizona Stronghold Wines partnership, which includes development of Merkin Vineyards, and creation of his own winery, Caduceus Cellars.

In researching for the interview I came to realize that there’s far more to what Keenan is doing with his wine craft than I’d first expected. A focus on community growth, desert permaculture, and sustainable, socially integrated business practices demonstrates a different side of Keenan’s genius, which in other applications has allowed him to become one of the most successful artists in the contemporary music industry.

… Read the rest
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Mellon Collie and the Infinite Crapfest—Things I Never Hear Anyone Say About the Music Business

By on February 6, 2013 in News 112

One of the strangest things about watching lefty hippie types getting all fired up about wealth inequality is that I never see them even acknowledge how much worse everything is in the arts, which a lot of them are directly involved with. Don’t want to bite the hand that feeds (or pretends like it might feed you one day). Let’s face it, you’re not a real artist until rich people say you are and sadly, it’s probably better now than it used to be say, fifty years ago. Doesn’t matter what art form you’re involved with, it’s all fairly impossible to make ends meet unless you’re either born or fuck your way into the privilege factory. Having a trust fund helps. And that’s the sad thing no one’s saying about this stuff, the worse income disparity gets in society as a whole, the even more psychotically worse it gets in the arts.… Read the rest

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The Beatles Imagined As Mayan Gods

By on February 2, 2013 in News 4
Can the divide between pop culture and ancient wisdom be crossed? A particularly strange episode of the late-sixties Beatles cartoon series features the Fab Four journeying "to the inner world" and becoming extraterrestrial gods of a civilization resembling the Mayans:
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Sony Releases Major Album Solely To Extend Copyright Protection

By on January 12, 2013 in News 7

The New York Times on a dubious and surreal moment in the history of recorded music:

In response to provisions in a new European copyright law, Sony Music has released a compilation of early Bob Dylan recordings [subtitled] “The Copyright Extension Collection, Vol. 1” — that was rushed to a handful of record shops in Germany, France, Sweden and Britain just after Christmas. Only about 100 copies of the four-CD set were produced, with sparse packaging.

The point of the release was to keep the recordings under copyright protection in Europe, where the laws are in flux.  A change extending copyright in the European Union to 70 years will be in effect by 2014. But recordings cannot benefit unless they were published before the 50-year term expired. The recordings on “Copyright Extension” were about to fall over that legal precipice.

… Read the rest

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