Jazz aficionados may think they know cool jazz, bebop, hard bop, and every other style, but what about Nazi bop? Though they had already passed laws criminalizing “Jewishly gloomy lyrics”, drum and horn solos, “Negroid excesses in tempo”, and plucked bass lines, the party realized that dance music was needed to reach the masses. Via Smithsonian Magazine:
Hitler’s propaganda chief Joseph Goebbels’ strangest effort was the creation of that oxymoron in four-bar form: a Nazi-approved, state-sponsored hot jazz band known as Charlie and His Orchestra [headed by] Karl “Charlie” Schwedler, an employee of the German Foreign Ministry, who discovered he had a talent for crooning.
As “Charlie,” Schwedler—who at least posed as a convinced Nazi—penned lyrics that generally followed a fixed pattern. The first verse of each song would remain untouched, perhaps in the hope of luring in listeners. But the remainder of the lyrics would veer wildly into Nazi propaganda and boasts of Aryan supremacy.
In the latest episode of 
In “A Corner in the Occult” we visit early 20th century Germany and discuss the Nazis and the issues pertaining to their possible involvement with occultism. Many people like to attribute their rise to power and the events pertaining to the Second World War to their involvement in the occult arts and even demonic influence.
