New York City

Do you remember Jimmy McMillan who famously ran for New York City Mayor with the slogan “The Rent Is Too Damn High!”? (Check out the movie DAMN!) New Media Rockstars reports that…

Via Network A, fascinating time-lapse footage of a barrage of NYPD officers’ humiliating helplessness against longboarders’ mass ride down the city:

The Broadway Bomb brings together more than 2,500 longboard skaters each year in New York City to push eight miles through Manhattan, from West 116th Street to the Charging Bull in the Financial District. Since it’s inception in 2000, the NYPD has tried to hamper the event by hassling skaters, blocking roads, and handing out tickets. This year the NYPD busted out the orange netting to try and corral the skaters. They failed miserably. It was so bad that someone set the folly to the music from Benny Hill and it couldn’t be more appropriate.

After much concern from nonprofit groups like the NY Civil Liberties Union (and public outcry), the NYPD has finally released the numbers of their precinct and racial demographics of all the 2011 stop-and-frisks. Emerging accounts…

WeAreChange recently got the opportunity to meet and interview Joe Lozito, the selfless hero who put his life on the line to stop a serial killer. The story is only magnified when Joe finds out, that while being stabbed by the serial killer, the NYPD was standing by watching everything unfold from the safety of the conductors door. Currently in a legal suit, the NYPD and City of NY is arguing that the NYPD has NO duty to protect its own citizens.

If you want to learn more about Joe and be updated about his court case follow him on Twitter.

You can read about the entire criminal case here.

The art group Anti-Banality Union has created a feature-length movie which is impossible to stop watching. Fifty Hollywood blockbusters portraying the spectacular obliteration of New York City were cut up and interwoven (somehow fitting together seamlessly), revealing the meta-narrative running through them all — the “death-drive on the part of capitalist culture”:

Unclear Holocaust is a feature-length autopsy of Hollywood’s New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics…We see the Cinema as it really is; an unequivocal annihilation, the auto-genocidal mass fantasy of a megalomaniacally depressed First World.